Cover art by Edvard Munch

Lilith

Allan Havis
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PERFORMANCE RIGHTS

Description

In the Garden of Eden and crosscutting to New York, the enactment and re-enactment of Adam, Lilith, and Eve take the stage as the two women confront one another and the very identify of metaphysical woman. A love triangle which defies the heavens, supernatural Lilith will not willingly disappear from this world.

Production Info

Cast: 4 total (2 female, 2 male)
Full Length Drama (about 90 minutes)
Minimal Set Requirements
Period Costumes
Category: Tags: ,
Reviews

Press Quotes

“Before there was Eve there was Lilith. In his new play, LILITH, Allan Havis has placed Adam’s legendary first wife at the center of a parable about marriage. Springing Lilith loose in our age, the play is as devious as it is diabolical. The first act is in biblical times, the second in present-day New York, but the distinction is not intended to be clear-cut … Mr Havis weaves an intricate web of lustfulness and deceit … The sardonic language could have been written by a contemporary counterpart of the Swedish playwright [Strindberg] … As in his earlier plays, MINK SONATA and MOROCCO, Mr Havis shows a mordant wit, used this time to ask the question, who is Lilith and what is her fatal attraction.” —Mel Gussow, The New York Times

About the Author

Author

  • Allan Havis

    Over three decades, Allan Havis has had his plays produced at theatres across the country and in Europe, including San Diego Rep, Old Globe, Seattle's ACT, Odyssey, Long Wharf, South Coast Rep, American Repertory Theatre, Hartford Stage, Virginia Stage, WPA, Berkshire Theatre Festival, Trapdoor Theatre, Coral Gable's New Theatre, Interact Theatre, Philadelphia Theatre Co. and Rowholt Theater-Verlag (National German Radio). Works commissioned by England's Chichester Festival, Sundance, San Diego Rep, Ted Danson's Anasazi Productions, South Coast Rep, Mixed Blood, CSC Rep, Malashock Dance, Carolina Chamber Chorale, National Foundation for Jewish Culture, San Diego City Opera and University of California, San Diego. Nineteen published full-length plays including his signature drama MOROCCO: Penguin/Mentor, Theatre Communications Group, Smith & Kraus, Applause Books, and Broadway Play Publishing. Harper/Collins published his young adult novel Albert the Astronomer in 1979. His sequel novel Albert Down a Wormhole was published by Goodreads Press in 2019. His book on ninety years of cinema, Cult Films: Taboo & Transgression, was published by University Press of America. In collaboration with composer Anthony Davis, his play LILITH was re-imagined as a chamber opera, premiering at UC San Diego's Conrad Prebys Music Center December 2009. His next collaboration with Mr. Davis was Lear on the 2nd Floor, which premiered as a work-in-process March 2012 at Princeton University, and a full-length piece at UC San Diego's Conrad Prebys Music Center March 2013. Both operas can be viewed online at UCSD TV. His third opera, St. Francis de Los Barrios, was presented in showcase at the Qualcomm Institute at UC San Diego in 2015. His latest opera project, The Golem of La Jolla, in collaboration with composer Michael Roth, will have a concert presentation October 2019 in La Jolla Playhouse's WoW Festival. Recipient of Guggenheim, Rockefeller, Kennedy Center/American Express, CBS, HBO, National Endowment for the Arts Awards, San Diego Theatre Critics Circle 2003 Outstanding New Play for NUEVO CALIFORNIA (co-author Bernardo Solano) and San Diego's 2008 Patté Best Play award for THE TUTOR. University of Illinois Press published in 2001 his edited volume: American Political Plays. Southern Illinois University Press published in 2010 his second edited volume American Political Plays Post 9/11. In 2019 London's Bloomsbury/Methuen published his third volume American Political Plays in the Age of Terrorism. He was Provost of Thurgood Marshall College/UC San Diego for ten years, has headed the MFA playwriting program at University of California, San Diego and continues to teach in their graduate writing program over thirty years where he serves as Chair of Theatre and Dance. He holds an MFA from Yale Drama School.

About the Book

Book Information

Publisher BPPI
Publication Date 4/1/1991
Pages 68
ISBN 9780881450927

Special Notes

Special Notes

Licensees are required to include the original stage producers credits in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

Originally produced by HOME, New York

The following must appear within all programs distributed in connection with performances of the Play:
Lilith is produced
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com