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US Blues

Greg Owens
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Description

This collection includes 11 comedic short plays: AT THE INTERSECTION OF AGE AND RAGE, THE BASTARD CHILD OF EVEL KNIEVEL, BUFFALO ROAM, EXTREME CUSTOMER SERVICE, FISH BABY DREAMING, THE LEPER VALLEY CONDO ASSOCIATION, PABLO PICASSO TEACHES HIGH SCHOOL, PASTIME, POETS ANONYMOUS, THE ROAD IS AN ASPHALT HOSTESS, and WHITE TRASH BINGO. AT THE INTERSECTION OF AGE AND RAGE: Angry youth meets pedantic elder at stoplight. Mutual understanding does not ensue. THE BASTARD CHILD OF EVEL KNIEVEL: A young girl and her mother watch Evel Knievel fail to jump Snake River Canyon while her dad leaves them both for his girlfriend. BUFFALO ROAM: Working stiffs Nick and Stan watch a gigantic herd of buffalo run wild through the streets of the city below as they ponder the meaning of these events and life itself. EXTREME CUSTOMER SERVICE: Aren’t tech support operators supposed to wait for you to call them? Not at Computer Cult. FISH BABY DREAMING: A woman dreams of catching swimming babies from a tank with a plunger. THE LEPER VALLEY CONDO ASSOCIATION: Two Yuppies disguise themselves as lepers to try to get a sweet condo. PABLO PICASSO TEACHES HIGH SCHOOL: Even though he’s still alive and looking for work, the greatest artist of the twentieth century can’t get hired as a substitute high-school art teacher because he isn’t certified. PASTIME: A surreal meditation on America’s pastime, involving a bat and a whole lot of skulls. POETS ANONYMOUS: Romance. Longing. Amateur verse of questionable quality. At Bud’s I-90 Truck Stop Casino Poetry Discussion Group in western Montana. THE ROAD IS AN ASPHALT HOSTESS: A prose poem about the road. WHITE TRASH BINGO: A trailer park, a tattered bathrobe, a sixteen-year-old pregnant daughter, pork rinds, and … a winning lottery ticket?

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Reviews

Press Quotes

PASTIME

“… worthy of the long-forgotten sadism of Faulkner’s Jason Compson: real, brutal, and funny … something Hunter S. Thompson might have thought up on a hallucinogenic trip in a stolen Caddie Vegas. Great stuff.” —Jeff Rice, Ryder Magazine

THE ROAD IS AN ASPHALT HOSTESS

“… a welcome return to the American folk tradition of storytelling.” —Gabrielle Kaplan, Chicago Reader

WHITE TRASH BINGO

“… a tasteless and derivative study of low brow caricatures … with no seeming purpose other than to make fun of their exaggerated egregiousness.” —T S Kerrigan, Drama-Logue

About the Author

Author

  • Greg Owens

    While earning his MFA in the early '90s at Indiana University, Greg wrote, directed, and produced several of his early scripts in an old bus garage with the Bloomington Playwrights Project. The rest of that decade and into the next, he was frequently on the road from Chicago to New York and Los Angeles and cities of all sizes across the country, sleeping on floors while putting up low-fi productions of his work, including U.S. BLUES, HOME FRONT, THE LIFE AND TIMES OF TULSA LOVECHILD: A ROAD TRIP, and his critically acclaimed Chicago Fringe Festival production of THE QUEEN OF BAKERSFIELD & OTHER TALES OF DUST AND MOONLIGHT. The culmination of this road warrior phase came in 2001 when THE LIFE & TIMES OF TULSA LOVECHILD was named the Best Off-Loop Play of the Year by the Chicago Tribune. After moving to Montana at the turn of the decade, Greg wrote and directed for the similarly peripatetic artists of the Vigilante Theatre Company who, with four actors and a van, toured his work for hundreds of performances throughout culturally under-served areas of the Rocky Mountain West. Greg lives in Bozeman, Montana with his family.

About the Book

Book Information

Publisher BPPI
Publication Date 9/29/2011
Pages 94
ISBN 9780881454758

Special Notes

Special Notes

Licensees are required to include the original stage producers credits in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
The following must appear within all programs distributed in connection with performances of the Play:
US Blues is produced
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com