American Home

Stephanie Alison Walker is an internationally-produced, award-winning playwright whose work is known for the personalization of the political, humor in darkness and the exploration of the resilience of women. Her play about the 2018 housing crisis AMERICAN HOME was the inaugural winner of American Blues Theatre's Blue Ink Award, her play about the mothers of the disappeared in Argentina, THE MADRES, was the 2019 Winner of the prestigious Francesca Primus Prize, winner of the Ashland New Plays Festival, the Generations Prize and semi-finalist for the CTG/ Humanitas Prize for playwriting, her follow-up play THE ABUELAS, winner of the Ashland New Plays Festival, premiered at Teatro Vista and was a Chicago Tribune Critic's pick. THE ART OF DISAPPEARING was a finalist for the Primus Prize and enjoyed critical praise for the world premiere in Chicago by 16th Street Theater in 2015. Her play FRIENDS WITH GUNS that tackles liberals and guns, was an O'Neill Finalist, an L.A. Times Critics Choice, called a "savage feminist parable" by the Times. Her latest play — SOPHIA HAYDEN DESERVES BETTER — tells the story of Sophia Hayden, the architect of the Woman's Building at the 1893 World's Columbian Exposition in Chicago. She has had the honor to work with wonderful theatres across the U.S. including Teatro Vista, New York Theatre Workshop, Antaeus Theatre Company, 16th Street Theatre, The Road Theater, Moving Arts, Local Theater Company, Skylight Theatre, Moxie Theatre, American Blues Theatre and many more. Her work has been produced across the U.S. and abroad in Mexico, India, Australia and South Africa. Her short plays have been anthologized by Smith & Kraus. In addition to writing plays, she is currently adapting FRIENDS WITH GUNS and THE ABUELAS as features while raising two spirited boys and selling real estate in the suburbs of Chicago. She is a member of the Dramatists Guild, the Antaeus Playwrights Lab and Honor Roll! — an advocacy and action group of women+ playwrights over forty whose aim is to significantly increase inclusion and representation on stage and in the theatrical canon.