Press Quotes

“… [an] unassuming gem … A comedy with serious implications, Y York’s neatly crafted play explores the impact of preconception and miscommunication upon a Seattle Environmental Protection Agency office worker, her black colleague and her new neighbor, an East Coast visitor researching a book on ‘hidden prejudice’ in America. The action unfolds in 1992, with the media dominated by the trial of Los Angeles police officers for beating Rodney King and the subsequent riots after the ‘not guilty’ verdict. Yet while that is the backdrop, the play is so low-key it would be easy to overlook just how much it has to say and how well it says it. Though treating weighty issues, York doesn’t clobber you with them, instead maintaining a light touch. While her theme may be familiar, she has found a fresh and individual approach to it. Best of all, by accurately capturing the quirks of human attitudes and interplay, York keeps the play consistently funny, unflaggingly true and, at times, surprisingly touching. The central factor in its success is a memorable protagonist: the unglamorous, opinionated and outspoken Haddie. She’s the sort you’d instantly peg as a bit of an oddball, likely a loner: the type who blurts out opinions and random pronouncements; who offers unsolicited advice to strangers at the supermarket (‘buy this one, not that’); and who conducts long, heartfelt conversations with a pet fish in a plastic bag. She has taken as her own (and parrots) many notions she heard on TV or read somewhere, without thinking them through. Naturally, a lot of these ideas have a touch of paranoia about the inevitable ‘they’ who make all the world’s trouble. Haddie is eccentric, exasperating, yet so desperate to connect that she’s strangely endearing. Despite its early-’90s setting, this astutely observed play’s themes are absolutely relevant. York gets exactly the way many people view issues of race and class, how people adopt any overheard opinions that sound reasonable enough, how the ‘big story’ at any particular moment colors our everyday perceptions. AND L.A. IS BURNING makes you laugh, then leaves you with plenty to ponder and discuss.” —Everett Evans, Houston Chronicle

Author(s)

Book Information

Special Notes

If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

In addition, the following must appear within all programs distributed in connection with performances of the Play: