“PERESTROIKA is not only a stunning resolution of the rending human drama of MILLENIUM APPROACHES, but also a true millennial work of art, uplifting, hugely comic and pantheistically religious in a very American style.” —Frank Rich, New York Times
“Playful and profound, extravagantly theatrical and deeply spiritual, witty and compassionate, furious and incredibly smart … It’s impossible to imagine anyone captivated by the beginning not wanting — needing — to go back for the end.” —Linda Winer, Newsday
“ANGELS IN AMERICA is a monumental achievement, the work of a defiantly theatrical imagination that has no parallel on television or in the movies. It ennobles Broadway as no other work in recent memory has.” —Jeremy Gerard, Variety
“Not since Tennessee Williams has a playwright announced his poetic vision with such authority on the Broadway stage … PERESTROIKA is a masterpiece.” —John Lahr, New Yorker
Born in New York City in 1956, and raised in Lake Charles, Louisiana, Tony Kushner is best known for his two-part epic, ANGELS IN AMERICA: A GAY FANTASIA ON NATIONAL THEMES. His other plays include A BRIGHT ROOM CALLED DAY, SLAVS!, HYDROTAPHIA, HOMEBODY/KABUL, and CAROLINE, OR CHANGE, the musical for which he wrote book and lyrics, with music by composer Jeanine Tesori. Kushner has translated and adapted Pierre Corneille's THE ILLUSION, S.Y. Ansky's THE DYBBUK, Bertolt Brecht's THE GOOD PERSON OF SEZUAN and MOTHER COURAGE AND HER CHILDREN, and the English-language libretto for the children's opera BRUNDIBÁR by Hans Krasa. He wrote the screenplays for Mike Nichols' film of Angels in America and Steven Spielberg's Munich. In 2012 he wrote the screenplay for Spielberg's movie Lincoln. His screenplay was nominated for an Academy Award, and won the New York Film Critics Circle Award, Boston Society of Film Critics Award, Chicago Film Critics Award, and several others. His books include But the Giraffe: A Curtain Raising and Brundibar: The Libretto, with illustrations by Maurice Sendak; The Art of Maurice Sendak: 1980 to the Present; and Wrestling with Zion: Progressive Jewish-American Responses to the Palestinian/Israeli Conflict, co-edited with Alisa Solomon. His recent work includes a collection of one-act plays entitled TINY KUSHNER, and THE INTELLIGENT HOMOSEXUAL'S GUIDE TO CAPITALISM AND SOCIALISM WITH A KEY TO THE SCRIPTURES. In addition, a revival of ANGELS IN AMERICA ran Off-Broadway at the Signature Theater and won the Lucille Lortel Award in 2011 for Outstanding Revival. Kushner is the recipient of a Pulitzer Prize for Drama, an Emmy Award, two Tony Awards, three Obie Awards, an Arts Award from the American Academy of Arts and Letters, a PEN/Laura Pels Award, a Spirit of Justice Award from the Gay and Lesbian Advocates and Defenders, a Cultural Achievement Award from The National Foundation for Jewish Culture, a Chicago Tribune Literary Prize for lifetime achievement, and the 2012 National Medal of Arts, among many others. CAROLINE, OR CHANGE, produced at the National Theatre of Great Britain, received the EVENING STANDARD Award, the London Drama Critics' Circle Award and the Olivier Award for Best Musical. In September 2008, Tony Kushner became the first recipient of the Steinberg Distinguished Playwright Award, the largest theater award in the US. He is the subject of a documentary film, Wrestling with Angels: Playwright Tony Kushner, made by the Oscar-winning filmmaker Freida Lee Mock. He lives in Manhattan with his husband, Mark Harris.
All licensees are required to give credit to the original stage producers of the play in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
PERESTROIKA was first performed as a staged reading by the Eureka Theatre Company in May 1991
The world premiere was presented by the Mark Taper Forum in November 1992
The play was presented by New York University/Tisch School of the Arts in April 1993
The play opened in London at the Royal National Theatre of Great Britain in November 1993
Opened in New York at the Walter Kerr Theatre in November 1993
In addition, the following must appear within all programs distributed in connection with performances of the Play:
Angels in America, Part Two: Perestroika is performed by special arrangement with Broadway Play Publishing Inc, New York, NY
A soon-to-be-married couple, Schiller and Arjay, take Schiller's parents on their first trip to Europe. Using his personal experience as a jumping off point, playwright Tom Jacobson takes the audience on an ominously comic journey during which guinea pigs play cricket, dead bodies talk, and the two couples learn what it means to be American in a world that no longer admires the U.S.
Cast: 5 total (3 female, 2 male, flexible casting, up to 4 women and 1 man or 4 men and 1 woman) Full Length Comedy (about 100 minutes) Minimal Set Requirements Contemporary Costumes
In JERKER, alternatively titled “The Helping Hand, A Pornographic Elegy with Redeeming Social Value and A Hymn to the Queer Men of San Francisco in Twenty Telephone Calls, Many of them Dirty,” J.R. and Bert’s anonymous telephone-sex relationship continues to evolve into something deeper until Bert’s health begins to fail.
Cast: 2 total (2 male) Full Length Drama (about 70 minutes) Single Set Contemporary Costumes
THE GABRIELS trilogy chronicles a year in the life of a neighboring family who reunite in real time at three different points across 2016 to celebrate, remember, and wait for the world to change. History and politics, art and culture, love and hate are all on the table as the Gabriels gather in the kitchen of the house they grew up in — ultimately revealing the deep, human impact of one of the most extraordinary years in American history. Part One, HUNGRY: To the rhythm of peeling, chopping and mixing, HUNGRY places us in the center of the Gabriels’ kitchen. The family discusses their lives and disappointments, and the world at large and nearby, as they struggle against the fear of being left behind and the challenge to find resilience in the face of loss.
Cast: 6 total (5 female, 1 male) Full Length Drama (about 100 minutes) Single Set Contemporary Costumes
What happens when news becomes entertainment and politics become a performance? Virginia Eames, an aspiring political pundit, attempts to negotiate her way through the constantly shifting landscape of cutthroat commentary and learns what it takes to be a star.
Cast: 6 total (4 female, 2 male) Full Length Drama (about 100 minutes) Minimal Set Requirements Contemporary Costumes
Burned-out actor Hugh Pendleton, not-so-fresh from playing Scrooge one too many times in the backwater community theatre where his once promising career has met its unglamorous end, is surprised to encounter three spirits of his own in this quirky and compelling ode to the holiday classic.
Cast: 4 total (1 female, 3 male, flexible casting, up to 17 actors) Full Length Comedy (about 90 minutes) Single Set Contemporary Costumes
JoAnne Akalaitis' exploration of America as an immigrant and refugee society is complex, timely, and highly theatrical: a collage of images and events, documentary and testimony, that asks us to look again at the pressures and liberties of life in a foreign culture. GREEN CARD both describes and creates, for performers as well as audiences, the cacophony of sounds and barrage of images that confront those newly arrived in this land. The play moves from Ellis Island to Los Angeles, a city many consider the Ellis Island of the eighties.
Cast: 11 total (5 female, 6 male, multiethnic, flexible casting) Full Length Drama (about 100 minutes) Minimal Set Requirements Contemporary Costumes
Part murder mystery, part unrequited romance, and part absurdist debacle about the denial and transcendence of death, TRANSATLANTICA tells the story of Dr Reginald Reinhold, whose psychoanalytic session with an eccentric patient, Ilyria (of the land of Ilyria), is interrupted by his wife with news that she is dying. By coincidence, Ilyria too is dying, as is every subsequent visitor to his home — a parade of increasingly eccentric guests. With death dancing at every door, Dr Reinhold is forced to confront his own peculiar relationship with mortality. The setting is the parlor of Dr Reinhold's mansion (festooned with mythical taxidermy and curious artifacts) on the shores of the fantastic continent of Transatlantica, a topsy-turvy world where gardens are planted with cake and lovers grow into trees.
Cast: 7 total (3 female, 4 male) Full Length Comedy (about 100 minutes) Single Set Contemporary Costumes
Based on the true events surrounding the groundbreaking table tennis tournament that marked a decisive new chapter in US–China relations, PING PONG is the story of the extraordinary young man who played the game that changed the world and the political actors who were playing him. With Nixon and Mao on either side of the court, free-spirited hippie Glenn Cowan reaches across the net to usher in a fragile new friendship between two great countries in this funny, incisive, and wildly imaginative new play about the little moments of history that set up the big ones.
Cast: 8 total (3 female, 5 male, doubling, bit parts) Full Length Drama (about 90 minutes) Minimal Set Requirements Contemporary Costumes