Approaching Simone
This play is included in the collection:
Play Description
Simone Weil, a French girl of Jewish extraction whose death in 1943 was caused primarily by self-imposed starvation, is the subject of this striking theatrical exploration into the nature of faith and spirituality. APPROACHING SIMONE gives fascinating insights into this extraordinary woman who was later canonized as a saint.
Production Info
Cast: 16 total (6 female, 10 male)Full Length Drama (about 120 minutes)
Minimal Set Requirements
Contemporary Costumes
- Reviews
- About the Author(s)
- About the Book
Press Quotes
“The work of no other contemporary American playwright can boast the extraordinary scope of that of Megan Terry. In the course of over thirty years her collected plays have become a virtual compendium of the styles of modern drama, ranging from collaborative ensemble work to performance art to naturalism … Beginning with her earliest work, she has devised a politically and socially activist theater, using a diversity of nonrealistic forms to challenge a culture which has systematically disparaged nonlinear drama. Megan Terry remains a key figure in the development of the American alternative theater.” —David Savran, In Their Own Words: Contemporary American Playwrights
“Terry’s treatment of her story is masterly … There is nothing unnecessary. It is as sparse, as vital and as undemonstrative as Simone’s own life … a superb theatrical coup.” —Clive Barnes, New York Times
“APPROACHING SIMONE is a chronicle — grave, didactic, warm, filled with an incandescent interest in its subject … a rare theatrical event for these hysterical and clownish times, a truly serious play, filled with the light, shadow and weight of human life, and the exultant agonies of the ceaseless attempt to create ones humanity. Megan Terry’s play, may very well stimulate renewed interest in one of the most powerful minds and tormented spirits our age has produced.” —Jack Kroll, Newsweek
“… a purity of intent that is startling. Before I write another line let me say that Ms Terry’s script … is absolutely magnificent, the most impressive new play in a very long while.” —Kevin Kelly, The Boston Globe
“… Simone Weil is radically different from the sort of woman we usually find represented in the theater … she is an adult female being. Her battles are not sexually determined. She is a throwback to the Greeks. By exhibiting physical, intellectual, and spiritual courage, she deals with both internal conflicts and political struggles.” —Harriet Kriegel, Women In Drama
Author(s)
Megan TerryMegan Terry's plays include BREAKFAST SERIAL, CALM DOWN MOTHER, KEEP TIGHTLY CLOSED IN A COOL DRY PLACE, HOTHOUSE, EX-MISS COPPER QUEEN ON A SET OF PILLS, THE PEOPLE VS RANCHMAN, GOONA GOONA, MOLLIE BAILEY'S TRAVELING FAMILY CIRCUS: FEATURING SCENES FROM THE LIFE OF MOTHER JONES, PRO GAME, BODY LEAKS, SOUND FIELDS, and OBJECTIVE LOVE. She has published over forty-five plays. Most have been translated and produced worldwide. She has won a number of major writing awards, including a Guggenheim Fellowship and an Obie Award for APPROACHING SIMONE. She was elected to lifetime membership by the College of Fellows of the American Theatre, installation at the Kennedy Center, Washington, DC, in recognition of: "Distinguished service to the profession by an individual of acknowledged national stature." In 1992 she was named Nebraska Artist of the Year. Ms Terry is photographer and co-editor of Right Brain Vacation Photos, New Plays and Production Photographs 1972 – 1992. Ms Terry has a degree from the University of Washington, certificates in acting, directing, and design from the Banff School of Fine Arts, Banff, Alberta, Canada, and was awarded the Yale-ABC Fellowship: Writing for the Camera at Yale University. She has had a long association with the Omaha Magic Theatre, in Omaha, Nebraska, as playwright in residence, photographer, performer, and musician.
Related Plays
Play Description
Set against the chaotic aftermath of World War II, this play intimately explores the fragility of family relationships. In 1945, five years after being evacuated to Canada, 17-year-old Peter returns to London. His parents are now dead, and his three older sisters await his arrival.
Production Info
Cast: 7 total (4 female, 3 male)Full Length Drama (about 100 minutes)
Single Set
Contemporary Costumes
$15.00–$15.95Play Description
Part Greek tragedy, part blackest comedy, HILLARY AGONISTES presents the cautionary tale of Hillary Clinton, newly elected President of the United States. One bright spring day 65 million people disappear — First Husband Bill among them. Is it the rapture? Pat Robertson, Stephen Hawking, a Papal emissary, the Antichrist, and a Muslim convert named Chelsea offer their opinions as Hillary agonizes and attempts to avert Armageddon.
Production Info
Cast: 4 total (3 female, 1 male)Full Length Drama (about 75 minutes)
Minimal Set Requirements
Contemporary Costumes
$15.00–$15.95Play Description
In 1948, Los Angeles Tribune reporter Hisaye Yamamoto puts her job at risk when she joins forces with civil rights pioneer Bayard Rustin to desegregate Bimini Baths.
Production Info
Cast: 4 total (1 female, 3 male)Full Length Drama (about 90 minutes)
Minimal Set Requirements
Period Costumes
$15.95Play Description
BBC correspondent David Mazower (Sholem Asch’s great-grandson) described THE GOD OF VENGEANCE as “admired, translated, parodied, panned, banned, prosecuted, withdrawn, forgotten, revived, celebrated.” An international sensation after its 1907 world premiere in Berlin at Max Reinhard’s Deutsches Theater, Asch’s play quickly became the first Yiddish drama performed in translation across Europe and America. Notoriety was a key part of its success. Nearly every production sparked some level of controversy due to the script’s conflicting themes of hypocrisy and religious faith, rebellion and tradition, its brothel setting, graphic domestic violence, “gutter poetry” reminiscent of Wedekind, and an unprecedented erotic scene of lesbian seduction. This pre-Holocaust drama is today circumscribed by a very different post-Holocaust world, but THE GOD OF VENGEANCE remains one of the great urban dramas of the Yiddish Theatre repertoire.
Production Info
Cast: 12 total (7 female, 5 male, bit parts)Full Length Drama (about 110 minutes)
Single Set
Period Costumes
Play Description
Chicago, 1940. In the first act, Thomas, a successful playwright, his brother, Hal, with his wife, Helen, and son, Tom, wait out a storm in the playwright’s luxurious apartment. The playwright proposes to write a play just for his brother’s wife. The next afternoon, still snowbound, Thomas, Hal, and Helen visit the wealthy Pflaum-Smythes upstairs, while their high-spirited daughter, Effi, attempts to make the acquaintance of Tom, the boy, downstairs. The adults descend to witness a reading of Thomas’s new play, a story very much like that of Hal and Helen running off to Tahiti years ago, only Tom and Effi rise to play the parts. In the second act, a week later, beginning in Hal and Helen’s similar, but much less expensive apartment, Helen returns to announce that she has the lead in Thomas’s new play. The family celebrates. Late that night, Helen, who has been drinking, reveals to Tom that the price for being cast was high, followed by a couple of other revelations leading to her midnight departures for Thomas’s. At Thomas’s, Effi makes an unscheduled appearance in one of her mother’s evening gowns to demand the right to sit in on the rehearsals of Thomas’s new play. Helen arrives with Hal in close pursuit. Thomas makes a grim announcement, and all leave. Thomas sits down to work on his new script, which is subsequently enacted before us as a play within a play until Thomas’s final spoken stage direction brings the lights down.
Production Info
Cast: 7 total (3 female, 4 male)Full Length Drama (about 100 minutes)
Single Set
Contemporary Costumes
$15.00Play Description
Why, having become Queen in childhood, would Christina of Sweden give up the throne? Confused about her sexual identity and religious beliefs, and thwarted in love, she decides to abdicate, convert to Catholicism, and throw herself, for life, on the hospitality of the Vatican. Once there, this proud but troubled woman is stunned to discover that, before she can be received by the Pope, she must submit to intense questioning by Cardinal Azzolino. At first she sees him as an adversary. But then, against all rules and expectations, Christina finds herself falling in love with her inquisitor. A probing exploration of the nature of woman, whether queen or commoner, is the subject of this highly original play.
Production Info
Cast: 10 total (4 female, 6 male)Full Length Drama (about 140 minutes)
Minimal Set Requirements
Period Costumes
$15.00Play Description
A Play with Music — the music of Frederic Chopin. George Sand had many lovers — but the one to whom she was most attached, and who almost ruined her life, was Frederic Chopin. His illness and dependency, the rivalries of two artists living under the same roof, the conflicting demands of two careers, all these batter the relationship. But most damaging is what the affair does to her family. Sand is hailed as an icon of female liberation. In GEORGE AND FREDERIC we see what can be the consequences of that liberation. Her rebellious daughter, Solange, embraces the tenets of feminism as an excuse for wild behavior, eventually causing the final rift between her mother and her mother’s lover. To assert his own creativity in this maelstrom, Maurice, George’s doting and doted-upon son, creates puppets of each member of this explosive ménage, puppets who, throughout the play, comment wryly on all the heated goings-on with humor, irony, and wit.
Production Info
Cast: 6 total (2 female, 4 male)Full Length Drama (about 125 minutes)
Minimal Set Requirements
Period Costumes
$11.95–$15.00Play Description
This provocative chronicle, interspersed with fantasy sequences from Alice in Wonderland, traces the career of Charles Dodgson (better know as Lewis Carroll) from his first work on the immortal classic to his near downfall when accused of immorality.
Production Info
Cast: 11 total (4 female, 7 male, doubling)Full Length Drama (about 120 minutes)
Minimal Set Requirements
Contemporary Costumes
$15.00–$15.95Play Description
JONAH is a rumination on the story of the man and the sea. Jonah's a man on the run. He hops a Greyhound to Joppa and then grabs a cabin on the ocean-bound Carnival Princess. Drinking away his sorrows at the ship's Grass Skirt Grill, the lounge band Sheila and the Lovetones plays him into a stupor before he tumbles into the waves. Len Jenkin's JONAH is a contemporary retelling of the unfaithful servant; some love stories about the evil city of Ninevah, a Dairy Queen, and of course, the whale.
Production Info
Cast: 9 total (4 female, 5 male)Full Length Drama (about 100 minutes)
Minimal Set Requirements
Contemporary Costumes
$15.00Play Description
It is a few years after the end of World War II. Billy Maitland, a young wheelchair-bound ex-Army Corporal is the sole remaining patient in a VA hospital when a new patient, Flight Commander Simon Trevelyan, arrives — accompanied by his American ex-WAAF wife. When Billy, who worships FDR, discovers that his new fellow-patient was a former pilot in the Royal Air Force, he insists the cynical and disillusioned Simon join him in reliving the war, with Billy pretending to be FDR and Simon pretending to be Winston Churchill. In a time before PTSD was identified and when treatment for the effects of the horrors of war were little understood, their doctor thinks this play-acting might help them recover from the physical and mental traumas of their combat experiences. As the two servicemen's extremely different personal and historical stories unfold, HOTEL VICTORY portrays the aftereffects of battle and contrasts war as it is experienced by the Grand Figures of history vs. the way it is experienced by the men and women they send into the fight.
Production Info
Cast: 4 total (1 female, 3 male)Full Length Drama (about 100 minutes)
Single Set
Period Costumes
$11.95–$15.00Play Description
Rural Central Texas, 1962. Dave, still lives in the old family home that his father built. The family is still the only Jewish family in this isolated country town. As his son Nathan faces the (to him) bizarre prospect of becoming Bar Mitzvah, his wife Rachel faces an even greater crisis of faith. As Dave encounters the remoteness of his community, and the even further distance from the faith of his father, his entire family faces the legacy left behind by their immigrant forebears: What do the Jews believe? This is a fictionalized account of the next generation of the family introduced in THE IMMIGRANT, and the second play in Mark Harelik’s Texas saga of one Jewish-American family.
Production Info
Cast: 5 total (2 female, 3 male)Full Length Drama (about 120 minutes)
Single Set
Contemporary Costumes