Around the World in 80 Days
Play Description
Jules Verne’s classic adventure tale is reimagined for the stage in this enchanting adaptation.
Production Info
Cast: 8 total (2 female, 6 male)Full Length Drama (about 100 minutes)
Minimal Set Requirements
Period Costumes
- Reviews
- About the Author(s)
- About the Book
- Special Notes
- Productions
Press Quotes
“Pure, unadulterated magic … utterly beguiling … a high-spirited, imagination-filled escapade … Laura Eason’s exceptionally graceful adaptation of the Jules Verne classic … manages to be both wise and fun-filled … it lays its bets on enchantment and invariably comes up a winner … a show that should sail the world. Highly recommended.” —Chicago Sun-Times
“Light, cheerful and greatly entertaining … laudably committed to its theatricality … Eason’s staging is full of the visual imagination … It’s all a great deal of fun.” —Chicago Tribune
“An engaging, family-friendly show. Highly recommended.” —The Chicago Reader
“Eason’s affable adaptation plays up elements of Verne’s novel that are sometimes forgotten … Eason moves stylishly from set piece to set piece, from the cuckoo-clock orchestration of Fogg’s London life to teacups sliding across a shipboard table.” —Time Out Chicago
“A rollicking trek … Phileas Fogg, the imperturbable hero of AROUND THE WORLD IN 80 DAYS, has returned to New York … Never journeyed with Fogg? Allow me. He is a London bachelor of independent means so regular in his habits that he fires a manservant for serving him a cup of tea at the wrong temperature. One day, at his club, Fogg wagers 20,000 pounds that a man can now make it around the world in 80 days and sets off that same night, with his new valet Passepartout, a former tightrope walker, in baffled tow. Traveling by train, boat and sledge, rescuing a plucky Indian widow along the way, he treats time zones like his own personal hopscotch court … How exhilarating it must have been, in an era before discount cruises and air travel, when most readers would count themselves lucky to journey a town or two away. How thrilling is it now? Still pretty thrilling.” —Alexis Soloski, The New York Times
Author(s)
Laura EasonLaura Eason is the author of twenty plays, original work and adaptation, a musical book writer, and screenwriter. Selected productions of full-length plays include SEX WITH STRANGERS (Second Stage Theatre, NYC; Signature Theatre, DC; Steppenwolf Theatre Company, Chicago; Sydney Theatre Company, AU; published by Overlook Press); THE UNDENIABLE SOUND OF RIGHT NOW (Rattlestick Playwrights Theatre and Women's Project Theater, NYC; Rising Phoenix Rep, NYC); THE ADVENTURES OF TOM SAWYER (Hartford Stage, CT; New Victory Theater, NYC; People's Light & Theatre Company, PA; Actors Theatre of Louisville, KY; The Kansas City Repertory Theatre; The Repertory Theatre of St. Louis; Denver Center; published by DPS), and AROUND THE WORLD IN 80 DAYS (New Vic and Royal Exchange, UK; Lookingglass Theatre Company; Baltimore Center Stage; published by Broadway Play Publishing). Produced short plays include: MR. SMITTEN (Humana Festival), CITI MOMS (Women's Project Theater, NYC), USA-001A (American Theater Company, Chicago), JACK AND THE COLLECTION (WET, NYC), LOST BOY IN THE RUINED CITY (Theatre Seven, Chicago), IT WAS FUN WHILE IT LASTED (City Theatre, Miami), and LOST IN THE SUPERMARKET (Vital Theatre Company, NYC), among others. She wrote the book for the musicals DAYS LIKE TODAY, music and lyrics by Alan Schmuckler (Writers Theatre, Chicago) and SUMMERLAND, music by Jenny Giering, lyrics by Sean Barry (Chicago Shakespeare Theater commission). Additional plays include: THE VAST IN-BETWEEN (Denver Center commission, also developed by Vineyard Theatre, NYC), REMARKABLE INVISIBLE (Ambassador Theatre Group commission), EVERY REASON TO HOPE AND BELIEVE (Repertory Theatre of St. Louis commission), 40 DAYS (NEA grant, developed by New York Theatre Workshop), PLAINFIELD ACE (developed by Two River Theater, NJ and Atlantic Theater Company, NYC) and an adaptation of HANS BRINKER AND THE SILVER SKATES (Arden Theatre Company commission), among others. As a screenwriter, Laura wrote on season two and three of the Emmy-winning Netflix show House of Cards. She is an Ensemble Member and former Artistic Director of Chicago's Lookingglass Theatre (2011 Regional Tony Award). In New York, she is a member of Rising Phoenix Rep, New Georges, and a Women's Project Playwright's Lab alumna.
Jules VerneJules Gabriel Verne (1828 – 1905) was a French novelist, poet, and playwright best known for his adventure novels and his profound influence on the literary genre of science fiction.
Book Information
| Publisher | BPPI |
|---|---|
| Publication Date | 5/1/2008 |
| Pages | 78 |
| ISBN | 9780881458206 |
Special Notes
If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
Originally produced by Lookingglass Theater, Chicago
In addition, the following must appear within all programs distributed in connection with performances of the Play:
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypub.com
Upcoming and Recent Productions
Professional
Nonprofessional
Related Plays
$11.95–$15.00
Play Description
This classic and hilarious French farce commences when a customs official barges into newlyweds Robert and Paulette's train compartment at a most inopportune moment on their wedding night, rendering the poor fellow impotent. His parents-in-law demand that he consummate the marriage or it will be annulled, and Paulette will marry La Baule instead. Enter Mademoiselle Zeze, a courtesan, and let the games begin.
Production Info
Cast: 12 total (5 female, 7 male)Full Length Comedy (about 130 minutes)
Multiple Sets
Period Costumes
$15.00–$15.95
Play Description
Originally written to protest thoughtless urban renewal, THE MADWOMAN OF CHAILLOT has remained remarkably up-to-date. When it was first revived, the actor Georges Wilson wrote, “It is a prophetic play in the sense that the dangers denounced more than twenty years ago have become true and immediately observable in everyday life. The theme is alienation. The Madwoman tells us, 'Poor fools, take the time to breathe, you soon will be the living dead, mindless robots.'” Today, the play speaks to environmental concerns, the destruction of the natural world, and the manipulation of world financial markets.
Production Info
Cast: 12 total (6 female, 6 male, Flexible Casting)Full Length Drama (about 130 minutes)
Multiple Sets
Period Costumes
$11.95–$15.00
Play Description
Eric Overmyer’s sparkling adaptation and synthesis of Beaumarchais’s THE MARRIAGE OF FIGARO and Ödön von Horváth’s FIGARO GETS A DIVORCE. FIGARO/FIGARO follows the iconic characters of Figaro, Susanna, the Count and Countess Almaviva, and other favorites through the ups and downs inherent in all relationships — husband and wife, master and servant, family ties and the like.
Production Info
Cast: 17 total (6 female, 11 male)Full Length Drama (about 160 minutes)
Multiple Sets
Period Costumes
$15.00–$15.95
Play Description
Pontagnac, an inveterate womanizer, follows Lucienne to her house and makes advances. When her husband appears, who is none other than Vatelin, one of Pontagnac’s friends, the kerfuffle is soon settled between them as Vatelin, knowing Pontagnac, forgives him. But an unforeseen event sows discord: Liesl, who had been Vatelin’s mistress in Vienna, arrives at his house. Pontagnac takes this opportunity to tell Lucienne that her husband is cheating on her and gives her proof that Vatelin has a date in a hotel room with Liesl. Meanwhile, earnest Redillon, Lucienne’s friend, also declares his love for her. What is Lucienne to do? From there Feydeau’s intricate plot catches you up in a whirlwind of amorous and vengeful hilarity that ends with — you may conclude — everyone getting just what they deserve.
Production Info
Cast: 17 total (6 female, 11 male, doubling possible, female and male bit parts)Full Length Comedy (about 180 minutes)
Multiple Sets
Period Costumes
$15.00–$15.95
Play Description
The story of a young woman forced into an unhappy marriage to her dull, sickly cousin and smothered by her overbearing aunt. When her husband’s childhood friend enters her life, it leads Thérèse into a torrid affair that sets her spirit free for the first time but with shattering consequences. Steeped in the atmosphere of 19th-century France with a darkly rich foreboding.
Production Info
Cast: 8 total (3 female, 5 male)Full Length Drama (about 110 minutes)
Multiple Sets
Period Costumes
$11.95
Play Description
One of the world’s great plays about censorship and the oppression of artists is now newly translated by the renowned translators Richard Pevear and Larissa Volokhonksy (winner of two PEN/Book-of-the-Month Translation Awards) and the playwright/director Richard Nelson (Tony Award, Olivier Award).
Premiered on February 16, 1936 at the Moscow Art Theater, MOLIÈRE OR THE CABAL OF HYPOCRITES was banned after seven performances.
“Put yourselves in our place, ladies and gentlemen … the performance is over.” —ACT FOUR
Production Info
Cast: 12 total (6 female, 6 male)Full Length Drama (about 85 minutes)
Multiple Sets
Period Costumes
$11.95–$15.00
Play Description
A comical, anachronistic, and witty retelling of the Greek myth, composed “after Kleist by way of Molière with a little bit of Giraudoux.”
Production Info
Cast: 7 total (2 female, 5 male)Full Length Comedy (about 90 minutes)
Minimal Set Requirements
Contemporary Costumes
$15.00–$15.95
Play Description
Harpagon thinks that his children are costing him too much money and must be married off. He has found an old man who won’t demand a dowry for his daughter, Elise, and a rich widow for his son, Cleante. Unfortunately Elise is already in love with Harpagon’s servant, and his son is in love with the penniless Mariane, whom Harpagon has already decided to take as his own wife.
Production Info
Cast: 13 total (4 female, 9 male)Full Length Drama (about 105 minutes)
Multiple Sets
Period Costumes
$15.00–$15.95
Play Description
A sardonic comedy about Dutrecy, a man of the most unbridled selfishness, who arranges his life to provide himself maximum comfort. With a similar friend De la Porcheraie he hopes to acquire land where a new street is to be built, cheating the owner before news gets out. He also intends to marry his teen-aged niece Therese in hopes she'll be his nurse in his old age. Meanwhile his nephew Armand has saved the banker's son Georges; bosom friends, each assumes the other loves Therese. Eventually, everything works out to the satisfaction of the young people and the discomfiture of Dutrecy.
Production Info
Cast: 11 total (2 female, 9 male)Full Length Comedy (about 120 minutes)
Minimal Set Requirements
Period Costumes
$11.95–$15.00
Play Description
The first celebrity chef, Auguste Escoffier is revealed in all his culinary glory in this delightful one-man show.
Production Info
Cast: 1 total (1 male)Full Length Drama (about 75 minutes)
Minimal Set Requirements
Contemporary Costumes
$11.95–$15.00
Play Description
With a calloused and lustful heart, Don Juan indulges his sexual appetites with boundless enthusiasm. Heedless of warnings both earthly and otherwise, history's most notorious romantic devil rushes headlong toward retribution in Molière's sparkling comedy.
Production Info
Cast: 11 total (3 female, 8 male)Full Length Comedy (about 100 minutes)
Minimal Set Requirements
Period Costumes
$11.95–$15.00
Play Description
The best known play by one of the most performed French playwrights — a sparkling 18th-century comedy of manners based on the simplest of plot devices, the exchanging places of master and valet, mistress and maidservant.
Production Info
Cast: 6 total (2 female, 4 male, 1 bit part)Full Length Comedy (about 120 minutes)
Minimal Set Requirements
Period Costumes