- Reviews
- About the Author(s)
- About the Book
- Special Notes
- Productions
Press Quotes
“Pure, unadulterated magic … utterly beguiling … a high-spirited, imagination-filled escapade … Laura Eason’s exceptionally graceful adaptation of the Jules Verne classic … manages to be both wise and fun-filled … it lays its bets on enchantment and invariably comes up a winner … a show that should sail the world. Highly recommended.” —Chicago Sun-Times
“Light, cheerful and greatly entertaining … laudably committed to its theatricality … Eason’s staging is full of the visual imagination … It’s all a great deal of fun.” —Chicago Tribune
“An engaging, family-friendly show. Highly recommended.” —The Chicago Reader
“Eason’s affable adaptation plays up elements of Verne’s novel that are sometimes forgotten … Eason moves stylishly from set piece to set piece, from the cuckoo-clock orchestration of Fogg’s London life to teacups sliding across a shipboard table.” —Time Out Chicago
“A rollicking trek … Phileas Fogg, the imperturbable hero of AROUND THE WORLD IN 80 DAYS, has returned to New York … Never journeyed with Fogg? Allow me. He is a London bachelor of independent means so regular in his habits that he fires a manservant for serving him a cup of tea at the wrong temperature. One day, at his club, Fogg wagers 20,000 pounds that a man can now make it around the world in 80 days and sets off that same night, with his new valet Passepartout, a former tightrope walker, in baffled tow. Traveling by train, boat and sledge, rescuing a plucky Indian widow along the way, he treats time zones like his own personal hopscotch court … How exhilarating it must have been, in an era before discount cruises and air travel, when most readers would count themselves lucky to journey a town or two away. How thrilling is it now? Still pretty thrilling.” —Alexis Soloski, The New York Times
Author(s)
Laura EasonLaura Eason is the author of twenty plays, original work and adaptation, a musical book writer, and screenwriter. Selected productions of full-length plays include SEX WITH STRANGERS (Second Stage Theatre, NYC; Signature Theatre, DC; Steppenwolf Theatre Company, Chicago; Sydney Theatre Company, AU; published by Overlook Press); THE UNDENIABLE SOUND OF RIGHT NOW (Rattlestick Playwrights Theatre and Women's Project Theater, NYC; Rising Phoenix Rep, NYC); THE ADVENTURES OF TOM SAWYER (Hartford Stage, CT; New Victory Theater, NYC; People's Light & Theatre Company, PA; Actors Theatre of Louisville, KY; The Kansas City Repertory Theatre; The Repertory Theatre of St. Louis; Denver Center; published by DPS), and AROUND THE WORLD IN 80 DAYS (New Vic and Royal Exchange, UK; Lookingglass Theatre Company; Baltimore Center Stage; published by Broadway Play Publishing). Produced short plays include: MR. SMITTEN (Humana Festival), CITI MOMS (Women's Project Theater, NYC), USA-001A (American Theater Company, Chicago), JACK AND THE COLLECTION (WET, NYC), LOST BOY IN THE RUINED CITY (Theatre Seven, Chicago), IT WAS FUN WHILE IT LASTED (City Theatre, Miami), and LOST IN THE SUPERMARKET (Vital Theatre Company, NYC), among others. She wrote the book for the musicals DAYS LIKE TODAY, music and lyrics by Alan Schmuckler (Writers Theatre, Chicago) and SUMMERLAND, music by Jenny Giering, lyrics by Sean Barry (Chicago Shakespeare Theater commission). Additional plays include: THE VAST IN-BETWEEN (Denver Center commission, also developed by Vineyard Theatre, NYC), REMARKABLE INVISIBLE (Ambassador Theatre Group commission), EVERY REASON TO HOPE AND BELIEVE (Repertory Theatre of St. Louis commission), 40 DAYS (NEA grant, developed by New York Theatre Workshop), PLAINFIELD ACE (developed by Two River Theater, NJ and Atlantic Theater Company, NYC) and an adaptation of HANS BRINKER AND THE SILVER SKATES (Arden Theatre Company commission), among others. As a screenwriter, Laura wrote on season two and three of the Emmy-winning Netflix show House of Cards. She is an Ensemble Member and former Artistic Director of Chicago's Lookingglass Theatre (2011 Regional Tony Award). In New York, she is a member of Rising Phoenix Rep, New Georges, and a Women's Project Playwright's Lab alumna.
Jules VerneJules Gabriel Verne (1828 – 1905) was a French novelist, poet, and playwright best known for his adventure novels and his profound influence on the literary genre of science fiction.
Special Notes
If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
Originally produced by Lookingglass Theater, Chicago
In addition, the following must appear within all programs distributed in connection with performances of the Play:
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypub.com
Upcoming and Recent Productions
Professional
Nonprofessional
Related Plays
$15.00
Play Description
Molière's classic comedy comes to uproarious new life in a clever and contemporary adaptation Christopher Bayes and Steven Epp. The traditional story of a girl feigning illness to avoid an unwanted wedding erupts into hilarity when a pretend physician proves that love and laughter remain life's best medicine.
Production Info
Cast: 10 total (3 female, 7 male, doubling)Full Length Comedy (about 90 minutes)
Minimal Set Requirements
Period Costumes
$15.00–$15.95
Play Description
Harpagon thinks that his children are costing him too much money and must be married off. He has found an old man who won’t demand a dowry for his daughter, Elise, and a rich widow for his son, Cleante. Unfortunately Elise is already in love with Harpagon’s servant, and his son is in love with the penniless Mariane, whom Harpagon has already decided to take as his own wife.
Production Info
Cast: 13 total (4 female, 9 male)Full Length Drama (about 105 minutes)
Multiple Sets
Period Costumes
$15.00–$15.95
Play Description
In this delightful comedy about the French aristocracy, told with Molière’s signature wit, the atmosphere is frivolous, the morals are loose, the egos are larger than life and everyone is looking for love. Constance Congdon’s adaptation of this intelligent satire is both provocative and funny.
Production Info
Cast: 10 total (3 female, 7 male)Full Length Drama (about 100 minutes)
Multiple Sets
Period Costumes
$15.00–$15.95
Play Description
“ANTONY is not a melodrama, ANTONY is not a tragedy, ANTONY is not a stage play. ANTONY is an acting-out of love, jealousy and anger in five acts.” —Alexandre Dumas (père)
Production Info
Cast: 14 total (6 female, 9 male, extras)Full Length Drama (about 120 minutes)
Multiple Sets
Period Costumes
$11.95–$15.00
Play Description
The classic 1851 farce. Fadinard is on the way to his wedding when his horse eats a straw hat hanging on a bush. The owner of the hat is a former girlfriend who insists that Fadinard buys her a new hat instantly. He sets off to find a replacement hat, followed by his fiancée and all their guests. The play develops into a delirious chase as Fadinard hunts the hat and the guests hunt Fadinard and comic misunderstandings litter every scene.
Production Info
Cast: 18 total (6 female, 12 male)Full Length Drama (about 120 minutes)
Multiple Sets
Period Costumes
$11.95–$15.00
Play Description
The best known play by one of the most performed French playwrights — a sparkling 18th-century comedy of manners based on the simplest of plot devices, the exchanging places of master and valet, mistress and maidservant.
Production Info
Cast: 6 total (2 female, 4 male, 1 bit part)Full Length Comedy (about 120 minutes)
Minimal Set Requirements
Period Costumes
$15.00–$15.95
Play Description
Set during the French Revolution's Reign of Terror, the play takes place from March 24 to April 4, 1794, when Maximilien Robespierre was in charge of the Committee of Public Safety that, along with the Revolutionary Tribunal, condemned people to the guillotine. Guillotine victims ranged from those who were seen as too radical to those who were viewed as royalist sympathizers and even simply moderates like Danton.
Production Info
Cast: 26 total (8 female, 18 male)Full Length Drama (about 100 minutes)
Minimal Set Requirements
Period Costumes
$11.95–$15.00
Play Description
The satirical farce acclaimed as the touchstone for the Dada and Surrealist movements, the Theatre of the Absurd, and much of the rest of experimental theatre in the twentieth century.
Production Info
Cast: 8 total (4 female, 4 male)Full Length Drama (about 120 minutes)
Multiple Sets
Period Costumes
$11.95–$15.00
Play Description
A lawyer, facing mortality, desperate to find the son he drove away years before, travels in the dead of night to a mysterious cave. There he engages the services of a wizard, who conjures up visions of the romantic, adventurous, perilous life the lawyer’s son has been living since his father expelled him from home. THE ILLUSION, freely adapted from Pierre Corneille’s L’ILLUSION COMIQUE, is Kushner’s most joyfully theatrical play, a wildly entertaining tale of passion and regret, of love, disillusionment and magic.
Production Info
Cast: 8 total (2 female, 6 male)Full Length Drama (about 90 minutes)
Single Set
Period Costumes
$11.95–$15.00
Play Description
Molière's satire of intellectual snobbery focuses on the women folk of Chrysale's household, who look on all but intellectual pursuits as worthless and spurn love in favour of learning. The heroine, Chrysale's daughter Henriette, wants to marry Clitandre, but her mother wishes her to marry the poet Trissotin, who is worming his way into the household in order to marry Henriette for her family's fortune. When his avaricious plot is discovered, he is sent away in disgrace, leaving Henriette to marry Clitandre as she wishes.
Production Info
Cast: 13 total (5 female, 8 male)Full Length Drama (about 100 minutes)
Multiple Sets
Period Costumes
$11.95–$15.00
Play Description
This classic French farce was written in 1907. It is, perhaps, Feydeau’s best known play, and its intricate choreography draws together two classic farce plots — that of the suspicious wife who sets a trap to expose her faithless partner, and the venerable comic device of mistaken identity.
Production Info
Cast: 14 total (5 female, 9 male)Full Length Comedy (about 200 minutes)
Multiple Sets
Period Costumes
$11.95–$15.00
Play Description
A comical, anachronistic, and witty retelling of the Greek myth, composed “after Kleist by way of Molière with a little bit of Giraudoux.”
Production Info
Cast: 7 total (2 female, 5 male)Full Length Comedy (about 90 minutes)
Minimal Set Requirements
Contemporary Costumes