Beside Herself

Joe Pintauro
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Description

When we meet Mary, she is living on an island off the coast of New England. She lives alone in a house surrounded by fog that is so close to the highway that she can hear the cry of animals as they are hit by passing cars. The saving and healing of these animals becomes her raison d'etre. Enter apparitions of her former self, ghosts who are not satisfied to simply observe but rather take an active part in Mary's present life. BESIDE HERSELF bends time and dimensions to to take a look at love and life.

Production Info

Cast: 7 total (4 female, 3 male)
Full Length Drama (about 100 minutes)
Single Set
Contemporary Costumes
Category:
Reviews

Press Quotes

“Joe Pintauro’s BESIDE HERSELF … is a real uplifter … Mary Candee is a woman whose life has not turned out the way she imagined … Pintauro’s heroine is, in short, a representation of Unfulfilled Womanhood, and if she … had been conceived by a less subtle, elegant-minded playwright, she would probably be a cliché … Three characters materialize — apparitions, obviously — and enter into lively conversation … you realize that these females are not creations of the heroine’s imagination, but earlier versions of herself … its juxtaposition of the romantic and the banal … makes Pintauro’s play alternately lovely and piquant … Instead of watching a character relive past events (Willy Loman style), we see characters from the past taking an unnatural interest in what is going on in the present. Or else we’re watching her younger selves watch the heroine go through the motions of her life. It’s funny and poignant, and one of the best uses I’ve seen of the device of representing the changing of the divided self by more than one actor. Like the ghosts in … OUR TOWN, each of the apparitions knows only her part of what has happened in the world and in the heroine’s life. (The little girl doesn’t know that the Second World War is over; the young girl doesn’t know whom the heroine wound up marrying; the woman in violet doesn’t know that the heroine’s husband died.) The fact that each can understand only what she could be expected to furnishes occasions for drama and passion. There’s a generosity toward actors in the way Pintauro has given each of the apparitions a thematic and psychological function.” —Mimi Kramer, The New Yorker

About the Author

Author

  • Joe Pintauro

    Joe Pintauro's three one-acts about Italian-American life in New York, entitled CACCIATORE, earned his first major theatre reviews. SNOW ORCHID, his first full-length, was a selection of the Eugene O'Neill Conference and was later produced with Olympia Dukakis, Peter Boyle, and Robert Lupone at Circle Rep. A revival in London starred Jude Law and Paola di Ognisotti. Short plays: AMERICAN DIVINE, in Chicago, and MOVING TARGETS at New York City's Vineyard Theater, Metropolitan Operas, Milennium Group, New York. Full-length plays: BESIDE HERSELF, with William Hurt, Lois Smith, Calista Flockhart, and Melissa Joan Hart; RAFT OF THE MEDUSA: Minetta Lane and London's Gate Nottinghill; MEN'S LIVES, an adaptation of Mattheissen's nonfiction book, which was the inaugural production of the Bay Street Theatre in Sag Harbor; THE DEAD BOY, about faith and trauma: workshopped at London's Royal Court under Stephen Daldry and again there with Ian McKellan. Pintauro directed THE DEAD BOY in the Dutch language in the Netherlands as: DODE JONGEN, with Anton Lutz, and with Roy Scheider and Mercedes Ruehl, again in workshop in Key West. His collection of some forty short plays called METROPOLITAN OPERAS (Dramatists Play Service) has been produced in various languages worldwide, and was produced at the Commedia dell'Arte in Venice under Carla Poli. The trilogy BY THE SEA, BY THE SEA, BY THE BEAUTIFUL SEA, a collaboration with Terrence McNally and Lanford Wilson, was produced by The Bay Street Theatre and Manhattan Theatre Club. HEAVEN AND EARTH, about American farm life, also a Bay Street production, was directed by Jack Hofsiss. Pintauro wrote BEAUTIFUL DREAMER, a Civil War screenplay about the only woman to ever receive the Congressional Medal of Honor and two full-length plays with The Pacific Theatre Company in Los Angeles: KARMA BOOMERANG and DANCE NITE ON THE RIVER QUEEN. Joe studied poetry with Leonie Adams at Columbia University. He taught fiction writing at Sarah Lawrence and NYU's Tisch, filmmaking at Marymount College and The School of Visual Arts, NY. He taught playwriting at Southampton College. Pintauro was playwright for the 2003 Southampton Writers Conference. THE DEAD BOY was a selection of the Eugene O'Neill Playwrights Conference. His novel State of Grace was published by Times Books. His novel Cold Hands, Simon & Schuster, was widely reviewed and singled out by the New York Times as one of the best novels of the year. Pintauro studied cinematography under George Stoney, NYU, had a B.B.A. from Manhattan College, a B.A. in Philosophy from St. Jerome's College, Kitchener, Ontario, and four full-time years of Theology at Our Lady of Angels Seminary, Niagara University. He was awarded the Margaret Hill inaugural chair in theatre at Saint Mary's College, Notre Dame, and was named recipient of the 2005 John Steinbeck award for literature. He died in June 2018.

About the Book

Book Information

Publisher BPPI
Publication Date 2/15/1990
Pages 70
ISBN 9780881450842

Special Notes

Special Notes

Licensees are required to include the original stage producers credits in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
The following must appear within all programs distributed in connection with performances of the Play:
Beside Herself is produced
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypublishing.com