• My Account
  • Quick Order
  • Cart
  • Checkout
 
  • Home
  • Blog
  • Clients

 
  • Home
  • The Plays
    • The Plays
    • Not Yet Published
    • Newly Published
    • Bestsellers
    • Classics
    • Collections
    • Bundles
    • Catalog
  • Performance Rights
    • Restrictions
    • Payments
    • Performance Rights
    • Upcoming Productions
  • Authors
  • FAQs
    • FAQs
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Wholesale Customers
    • Desk Copies
    • Standing Orders
  • Blog
  • About Us
    • About Us
    • Contact Us
Menu
  • Home
  • The Plays
    • The Plays
    • Not Yet Published
    • Newly Published
    • Bestsellers
    • Classics
    • Collections
    • Bundles
    • Catalog
  • Performance Rights
    • Restrictions
    • Payments
    • Performance Rights
    • Upcoming Productions
  • Authors
  • FAQs
    • FAQs
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Wholesale Customers
    • Desk Copies
    • Standing Orders
  • Blog
  • About Us
    • About Us
    • Contact Us
 

  • Home
  • The Plays
    • The Plays
    • Not Yet Published
    • Newly Published
    • Bestsellers
    • Classics
    • Collections
    • Bundles
    • Catalog
  • Performance Rights
    • Restrictions
    • Payments
    • Performance Rights
    • Upcoming Productions
  • Authors
  • FAQs
    • FAQs
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Wholesale Customers
    • Desk Copies
    • Standing Orders
  • Blog
  • About Us
    • About Us
    • Contact Us
 
  • Home
  • >
  • The Plays
  • >
  • Don Quixote

    Don Quixote

    Mikhail Bulgakov after Miguel de Cervantes Saavedra, translated by Richard Nelson, Richard Pevear and Larissa Volokhonsky
    Acting Edition$11.95
    ePlay$15.00 + $10.00 per additional user
    Performance Rights

    Play Description

    Mikhail Bulgakov’s brilliantly theatrical and highly personal adaptation of Cervantes’ classic novel is here translated for the first time into English by the renowned translators Richard Pevear and Larissa Volokhonksy (winner of two PEN/Book-of-the-Month Translation Awards) and the playwright/director Richard Nelson (Tony Award, Olivier Award).

     

    “Since you hear my voice, it means I’m still alive.” —ACT ONE

     

    “Where there’s music, there’s no evil.” —ACT THREE

     

    “He has deprived me of the most precious gift a man is endowed with — he has deprived me of my freedom!” —ACT FOUR

    Production Info

    Cast: 13 total (7 female, 7 male)
    Full Length Drama (about 120 minutes)
    Multiple Sets
    Period Costumes
    Categories: The Plays, Newly Published, Classics Tags: Russian, 16th Century, Spanish
    • Reviews
    • About the Author(s)
    • About the Book
    • Special Notes

    Press Quotes

    “For Bulgakov, theater was … a place full of naïve magic and mystery.” —Anatoly Smeliansky, Is Comrade Bulgakov Dead?

    Author(s)

    • Mikhail Bulgakov

      Mikhail Afanasyevich Bulgakov, 15 May 1891 – 10 March 1940, was a Russian writer, medical doctor and playwright active in the first half of the 20th century. He is best known for his novel The Master and Margarita, published posthumously, which has been called one of the masterpieces of the 20th century. He is also known for his novel The White Guard, his plays Ivan Vasilievich, Flight (also called The Run), The Days of the Turbins, and other works of the 1920s and 1930s. He wrote mostly about the horrors of the Russian Civil War and about the fate of Russian intellectuals and officers of the Tsarist Army caught up in revolution and Civil War. Some of his works (Flight, all his works between the years 1922 and 1926, and others) were banned by the Soviet government, and personally by Joseph Stalin, after it was decided by them that they "glorified emigration and White generals". On the other hand, Stalin loved The Days of the Turbins (also called The Turbin Brothers) very much and reportedly saw it at least 15 times.

    • Richard Nelson

      Richard Nelson's plays include the four-play series, THE APPLE FAMILY (THAT HOPEY CHANGEY THING, SWEET AND SAD, SORRY, REGULAR SINGING (Nominated for Outstanding Play in Drama Desk Awards 2014; Public Theater, 2010 – 2013), NIKOLAI AND THE OTHERS (Lincoln Center Theater, 2013), FAREWELL TO THE THEATRE (Hampstead Theatre, 2012), HOW SHAKESPEARE WON THE WEST, (Huntington Theater, 2008), CONVERSATIONS AT TUSCULUM (Public Theater, 2008), FRANK'S HOME (Goodman Chicago, Playwrights Horizons, 2007), RODNEY'S WIFE (Playwrights Horizons, 2004), WHERE I COME FROM (National Theatre Connections), MADAME MELVILLE (which ran in the West End starring Macaulay Culkin and Irene Jacob and opened in May 2001 Off-Broadway); GOODNIGHT CHILDREN EVERYWHERE (winner of Olivier Award for Best New Play, 2000), KENNETH'S FIRST PLAY (with Colin Chambers, RSC), THE GENERAL FROM AMERICA (at the RSC and the Lucille Lortel Theatre, New York), NEW ENGLAND (RSC and Manhattan Theater Club), MISHA'S PARTY (with Alexander Gelman, RSC and Williamstown Theater Festival), TWO SHAKESPEAREAN ACTORS (Tony nomination for Best Play, RSC and Broadway), COLUMBUS AND THE DISCOVERY OF JAPAN (RSC Barbican), SOME AMERICANS ABROAD (Olivier nomination, Best Comedy; RSC, Lincoln Center and Broadway), LEFT, BETWEEN EAST AND WEST (Hampstead), PRINCIPIA SCRIPTORAE (winner of Time Out Award, RSC and Manhattan Theater Club), THE RETURN OF PINOCCHIO, AN AMERICAN COMEDY, BAL, CONJURING AN EVENT, RIP VAN WINKLE, JUNGLE COUP, THE KILLING OF YABLONSKI, THE VIENNA NOTES (Obie Award). His musicals include JAMES JOYCE'S THE DEAD (starring Christopher Walken and Blair Brown; Playwrights Horizons, Belasco Theatre, Broadway, Ahmanson Theatre, Los Angeles, Kennedy Center, Washington; for which he received a Tony Award in 2000 for Best Musical Book), CHESS (the book for the Broadway musical), PARADISE FOUND (dir: Harold Prince and Susan Strohman), MY LIFE WITH ALBERTINE (with Ricky Ian Gordon; Playwrights Horizons), UNFINISHED PIECE FOR A PLAYER PIANO (with Peter Golub). His translations and adaptations include TYNAN starring Corin Redgrave (with Colin Chambers, RSC and West End), LOLITA with Brian Cox (National), Molnar's THE GUARDSMAN (Kennedy Center), Carriere's THE CONTROVERSY (Public Theater), Fo's ACCIDENTAL DEATH OF AN ANARCHIST (Broadway), Strindberg's THE FATHER with Frank Langella (Broadway) and MISS JULIE (Yale Rep), Beaumarchais' THE MARRIAGE OF FIGARO (the Guthrie and Broadway); Molière's DON JUAN, Ibsen's WILD DUCK and ENEMY OF THE PEOPLE, Pirandello's ENRICO IV, Goldoni's IL CAMPIELLO, Erdmann's THE SUICIDE. With the esteemed translators Richard Pevear and Larissa Volokhonsky, he was co-translated Chekhov's THE CHERRY ORCHARD, Gogol's THE INSPECTOR, Turgenev's A MONTH IN THE COUNTRY and Bulgakov's DON QUIXOTE. Films: Hyde Park on Hudson, staring Bill Murray and Laura Linney (Dir: Roger Michell), Ethan Frome, starring Liam Neeson (Dir: John Madden); Sensibility and Sense, staring Elaine Stritch and Jean Simmons (Dir: David Jones). Television: The End of a Sentence with Edward Herrmann (Dir: David Jones). Radio Plays include: HYDE PARK ON HUDSON, LANGUAGES SPOKEN HERE (Giles Cooper Award), EATING WORDS (Giles Cooper Award), ADVICE TO EASTERN EUROPE, AN AMERICAN WIFE (all BBC).

    • Richard Pevear

      Richard Pevear was born in Waltham, Massachusetts, on 21 April 1943. Pevear earned a B.A. degree from Allegheny College in 1964, and a M.A. degree from the University of Virginia in 1965. He has taught at the University of New Hampshire, The Cooper Union, Mount Holyoke College, Columbia University, and the University of Iowa. In 1998, he joined the faculty of the American University of Paris (AUP), where he taught courses in Russian literature and translation. In 2007, he was named Distinguished Professor of Comparative Literature at AUP, and in 2009 he became Distinguished Professor Emeritus. Besides translating Russian classics, Pevear also translated from the French (Alexandre Dumas, Yves Bonnefoy, Jean Starobinski), Italian (Alberto Savinio), Spanish, and Greek (Aias, by Sophocles, in collaboration with Herbert Golder). He is also the author of two books of poems (Night Talk and Other Poems, and Exchanges). Pevear is mostly known for his work in collaboration with Larissa Volokhonsky on translation of Russian classics.

    • Larissa Volokhonsky

      Larissa Volokhonsky (Russian: Лариса Волохонская) was born into a Jewish family in Leningrad, now St. Petersburg, on 1 October 1945. After graduating from Leningrad State University with a degree in mathematical linguistics, she worked in the Institute of Marine Biology (Vladivostok) and travelled extensively in Sakhalin Island and Kamchatka (1968-1973). Volokhonsky emigrated to Israel in 1973, where she lived for two years. Having moved to the United States in 1975, she studied at Yale Divinity School (1977-1979) and at St Vladimir's Orthodox Theological Seminary (1979-1981), where her professors were the Orthodox theologians Alexander Schmemann and John Meyendorff. She completed her studies of theology with the diploma of Master of Divinity from Yale University. She began collaboration with her husband Richard Pevear in 1985

    Book Information

    Publisher BPPI
    Publication Date 6/22/2021
    Pages 102
    ISBN 9780881458350

    Special Notes

    If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

    In addition, the following must appear within all programs distributed in connection with performances of the Play:

    Don Quixote is produced
    by special arrangement with Broadway Play Publishing Inc, NYC
    www.broadwayplaypub.com

    Related Plays

    $15.00–$17.95
    Hernani
    Victor Hugo, adapted by John Strand
    $15.00–$17.95

    Play Description

    HERNANI, Victor Hugo's third play, written when he was 28, was not so much a piece of theater as a bombshell dropped directly into the laps of les classiques, the conservative defenders of French drama and its perfect garden of rules, regulations, and Aristotelian commandments of How Things Must Always and Forever Be. Deviation was considered heretical; innovation unnecessary, and to some minds, criminal.

    Production Info

    Cast: 8 total (2 female, 6 male)
    Full Length Drama (about 150 minutes)
    Multiple Sets
    Period Costumes
    $15.00–$15.95
    The Brothers Karamazov
    Anthony Clarvoe, based on the novel by Fyodor Dostoevsky
    $15.00–$15.95

    Play Description

    This literary masterpiece by one of the world’s greatest authors is brought to vibrant life in this new adaptation. Four estranged brothers unexpectedly come together in their father’s village, knowing that one intends to commit a terrible crime, but not knowing which of them will do it. Every fact, every motive, every belief about human nature, faith and redemption are questioned in this dynamic quest for truth.

    Production Info

    Cast: 10 total (3 female, 7 male)
    Full Length Drama (about 140 minutes)
    Multiple Sets
    Period Costumes
    The Man in the Case
    Wendy Wasserstein, based on the short story by Anton Chekhov

    Play Description

    Varinka is a free spirit in love with the older Byelinkov, the most proper man in town. But his inhibitions and worries about how he and Varinka are perceived when she boldly rides a bicycle about town threatens to unravel their impending marriage.

    Production Info

    Cast: 2 total (1 female, 1 male)
    Short Comedy (about 15 minutes)
    Single Set
    Period Costumes
    Don Juan of Seville
    Tirso de Molina, translated and adapted by Lynne Alvarez

    Play Description

    When the 17th-century Spanish dramatist and monk Tirso de Molina penned EL BURLADOR DE SEVILLA, it was the first time the legendary libertine Don Juan had appeared on stage. Lynne Alvarez’s translation and adaptation of Tirso de Molina’s play gives us the legendary Latin lover in his original incarnation.

    Production Info

    Cast: 15 total (5 female, 10 male)
    Full Length Drama (about 100 minutes)
    Multiple Sets
    Period Costumes
    $11.95–$15.00
    The Wood Demon
    Anton Chekhov, adapted by Richard Nelson
    $11.95–$15.00

    Play Description

    “In the play I portray a disgusting, selfish, provincial fellow who for twenty years has been reading works on art but understanding nothing about the subject — a man who brings despondency and gloom to all those near him, who is not accessible to laughter and music — and who, despite all this, is undoubtedly happy.” —Anton Chekhov

    Production Info

    Cast: 9 total (3 female, 6 male)
    Full Length Drama (about 120 minutes)
    Single Set
    Period Costumes
    Vint
    David Mamet, based on a short story by Anton Chekhov

    Play Description

    Mischievous bureaucrats play a card game (vint) using identity documents in their possession until they are caught redhanded.

    Production Info

    Cast: 6 total (6 male)
    Short Comedy (about 15 minutes)
    Single Set
    Period Costumes
    $15.00–$15.95
    Lorenzaccio
    Alfred de Musset, adapted by John Strand
    $15.00–$15.95

    Play Description

    Alfred de Musset’s 1832 play depicts Lorenzo de Medici, the 16th-century Florentine nobleman who killed his tyrannical cousin but did not establish a republican government afterwards and was forever disgraced by a debaucherous past.

    Production Info

    Cast: 12 total (4 female, 8 male)
    Full Length Drama (about 100 minutes)
    Multiple Sets
    Period Costumes
    $15.00–$15.95
    The Dragon
    Evgeny Shvarts, translated by Laurence Senelick
    $15.00–$15.95

    Play Description

    A town ruled by a dragon and compelled to pay it tribute is rescued by Sir Lancelot, at a terrible price to himself. But the mayor and his son prove to be just as bad as the dragon, and Lancelot has to save the town again, this time judging it harshly.

    Production Info

    Cast: 10 total (5 female, 5 male, Flexible Casting)
    Full Length Drama (about 120 minutes)
    Multiple Sets
    Period Costumes
    $15.00–$15.95
    The Beloved Disciple
    Tom Jacobson
    $15.00–$15.95

    Play Description

    Christopher Marlowe, sixteenth-century author, was murdered at the age of 29. This tragicomedy speculates that his death was tied to his scandalous play about the relationship between Jesus and the disciple John.

    Production Info

    Cast: 3 total (3 male)
    Full Length Drama (about 105 minutes)
    Minimal Set Requirements
    Period Costumes
    $15.00–$15.95
    A Mother
    Constance Congdon, adapted from VASSA ZHELEZNOVA by Maxim Gorky, translated by Tanya Chebotarev
    $15.00–$15.95

    Play Description

    An adaptation of Gorky’s classic black comedy, VASSA ZHELEZNOVA, A MOTHER concerns a family’s stern, penny-pinching matriarch who will do anything for her family.

    Production Info

    Cast: 9 total (5 female, 4 male)
    Full Length Comedy (about 120 minutes)
    Multiple Sets
    Contemporary Costumes
    $11.95–$15.00
    Fuente Ovejuna
    Lope de Vega, translated by Laurence Boswell
    $11.95–$15.00

    Play Description

    A masterpiece by one of the greatest writers of the Spanish Golden Age. When the people of the town of Fuente Ovejuna revolt against their tyrannical overlord and murder him, the authorities attempt to find out who is responsible, leading to one of the most memorable acts of resistance in world drama.

    Production Info

    Cast: 16 total (4 female, 12 male, flexible casting up to 8 women and 20 men)
    Full Length Drama (about 180 minutes)
    Minimal Set Requirements
    Period Costumes
    $11.95–$15.00
    Slavs!
    Tony Kushner
    $11.95–$15.00

    Play Description

    A fantastical/political/historical exploration of life in the Soviet Union in the earliest dawn of Perestroika. In scenes ranging from the inner chambers of the Politburo to a secret chamber beneath Lenin’s Tomb to a medical facility near a radioactive disposal site in Siberia, SLAVS! considers the difficulty, the failure, and the abiding importance of Socialism and of ongoing efforts towards building collective societies and a more just world.

    Production Info

    Cast: 10 total (3 female, 7 male)
    Full Length Drama (about 80 minutes)
    Multiple Sets
    Contemporary Costumes

    Contact Info

    BROADWAY PLAY PUBLISHING INC

    148 W 80th St, NY, NY 10024

    Working Days: Monday – Friday

    Working Hours: 8 am – 6 pm EST

    Phone: 212­-772-­8334

    Email: info@broadwayplaypub.com

    Website: www.broadwayplaypub.com

    Company Info

    • About Us
    • Shipping Info
    • Refund Policy
    • Privacy Policy
    • Submissions
    • Contact Us

    Pages

    • Home
    • The Plays
    • Performance Rights
    • Authors
    • FAQs
    • Blog

    Newsletter Sign Up

    • This field is for validation purposes and should be left unchanged.
    © Broadway Play Publishing Inc. All Rights Reserved.

    ‹ › ×
      Posting....