Get Used to It!
Play Description
A musical revue that tackles sex, love and relationships, politics, religion, and AIDS, GET USED TO IT! is funny, serious, and always thought-provoking.
Production Info
Cast: 3 total (3 male, or up to 6 with any combination of genders)Full Length Comedy (about 90 minutes)
Minimal Set Requirements
Contemporary Costumes
- Reviews
- About the Author(s)
- About the Book
- Special Notes
Press Quotes
“A joyous statement for all generations of gay culture.” —Terry Helbing, The New York Native
“The romantic songs are every bit as uplifting as the satirical songs are bitingly funny.” —Gary L Day, Philadelphia Gay News
“A prolific and highly talented songwriter, it’s Weinberg at his best, hashing out issues via wonderful lyrics and melodies. From the tyranny of religious intolerance to outing, guaranteed to irk the fundies.” —Tommi Avicolli Mecca, First Hand
“Weinberg tempers the camp and stays focused on substance. GET USED TO IT is a humorous look at serious gay issues.” —Bob Harrington, The New York Post
“From the wacky ‘No Opening Number’ to the heart-warming ‘I’ll Call You Lover’ through the defiant ‘Breaking the Penal Code with You,’ this is superb musical theater. Rich in nuance, dramatic timing and effect, the piece is compassionate, romantic, tender and politically savvy.” —Will Grega, AllMusic Review
“Una simpatico commedia musicale dedicate agli omosessuali con senso dell’umorismo. Applausi.” —Mario Fratti, Oggi
“Weinberg covers a wide range of subjects using anger, humor and love to create a roller-coaster of a revue.” —Wayne Hoffman, The Washington Blade
Author(s)
Tom Wilson WeinbergTom Wilson Weinberg began singing original queer-themed songs in coffee-houses and gay pride events in the late seventies. His early albums "Gay Name Game" (1979) and "All-American Boy" (1982) were among the first in this new genre. His shows TEN PERCENT REVUE (1987) and GET USED TO IT! (1992) were produced Off-Broadway by Laura Green and John Glines, respectively, published by Broadway Play Publishing, toured extensively and recorded by Aboveground Records. Weinberg's compilation "Don't Mess with Mary" (1994) was the official CD of Stonewall 25. SIXTY YEARS WITH BRUHS AND GEAN, commissioned by the New York City Gay Men's Chorus, debuted at Carnegie Hall in 1995 and was later sung at Lincoln Center. An expanded version, BRUHS AND GEAN, was presented by the Philadelphia Gay and Lesbian Theater Festival in 2003, at The Duplex in New York and at Arts Project Cherry Grove, Fire Island in 2004. Tom's THE TEACHINGS OF CHAIRMAN RICK was part of the 2005 Philly Fringe Festival. RICK was revived in 2006, BRUHS AND GEAN in 2007. In 2008 Tom began a series of cabaret performances which benefit community organizations and are ongoing. He is continuing development of his musical about Eleanor Roosevelt and Lorena Hickok, original book by Peggy Stafford and directed by Darren Katz. A reading and demo CD of ELEANOR & HICK features Lea Delaria, Cady Huffman and Mary Testa. Weinberg's song "Lesbian Seagull" was featured in the film Beavis and Butt-head Do America (Paramount/MTV), on the soundtrack (Geffen/Universal), and published by Warner Chappell. Honors include a Drama-Logue Award (Los Angeles), Golden Gull Award (Provincetown), Bessie Smith Award (Boston) and OutMusic Heritage Award (New York). Tom was a founder of Giovanni's Room and president of The Attic Youth Center, both in Philadelphia, where he lives with his husband, John Whyte. Tom and John are the dads of Jesse, 23, and Max, 21. Tom is a member of ASCAP, OutMusic and The Purple Circuit.
Book Information
| Publisher | |
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| Publication Date | 6/23/1997 |
| Pages | |
| ISBN |
Special Notes
If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
In addition, the following must appear within all programs distributed in connection with performances of the Play:
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypub.com
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