Play Description

An African American college professor who is feeling stuck both in his life and in his world of words meets a female African American student who comes to represent for him a dangerous kind of renewal and redemption, one that leads to tragedy for two disparate families.

Production Info

Play Description

In 1950, in a small Southern town of Durham, Georgia, Louis, a prominent black businessman, is murdered in the middle of the street. The regulars inside Willy's Cut and Shine Barbershop all witness the murder and watch the murderer casually stroll to his car. The question among the men in the shop, the dead man's brother, the elders, and the young men just returning from World War II, is what is to be done. To this we add a Sheriff who abdicates responsibility, a young gambling junkie back home from Chicago, ghosts from the battlefields of France and Germany, a murderer who wants more than the dead man's blood, and the possibility of a soul's redemption or destruction. At the end of this drama, every character must decide what they are willing to do to see another sunrise.

Production Info

Play Description

Jacqueeda needs four dollars and sixty cents to go to her mother’s boyfriend’s funeral, and buy him a headstone. She needs to make a detour to the racetrack to earn the rest of the money. She is looking for help from her friend Poppy. Poppy is looking for Jacqueeda, because he has learned from the scriptures that are the New York Post that a local Deacon has won the lottery. This transpires on the street corner where the Deacon’s Lincoln Continental is parked. They try to accomplish their tasks early in the morning while; Canute, a West Indian man, goes about working his many jobs, including caring for Muhammad’s rug, and Sister Berring tries to build a shelter, for someone. This play also has music cascading down onto the street corner, from eight televisions in windows above. The play is a new look at a secularized service about a search for service.

Production Info