Play Description

A kaleidoscopic, surrealistic overview of contemporary America, set forth in the bizarre, highly theatrical style which characterizes this writer's distinctive voice. Produced by New York's highly regarded Public Theater, the play employs brilliantly imaginative avante-garde techniques to highlight both the dreams — and delusions — which infuse and motivate our modern world. The play is made up of a series of concurrent actions, some set in a tacky motel, some elsewhere, involving a group of disparate but curiously related people. There is the young night clerk, Pauline, who studies her high-school English Lit notebook, while growing increasingly fearful of the unseen and unwanted suitor who lies in wait in the motel parking lot; a raucous carnival barker touting his giant crocodile, Bonecrusher; a pair of seedy bar denizens who occasionally break into song; a dim-witted handyman, Chuckles, who performs pointless errands; a deranged scientist who believes that he is in contact with creatures from outer space; an abandoned woman who waits restlessly for a lover who will probably never return; and a mysterious drifter, Faber, who, somehow becomes the catalyst which fuses all these divergent elements into a cohesive, and often wildly funny whole. And, in so doing, makes the play both an encapsulation of the American myth and, at the same time, a telling comment on what is right — and wrong — with this myth.

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Play Description

O LOVELY GLOWWORM is about the history of the world as perceived by a stuffed goat who remembers his life from his perch at the edge of a domestic trash heap behind a derelict cottage in rural Ireland, circa 1918. It’s an exploration of consciousness through a lens as myopic as Mr. Magoo’s, as slapstick as the Three Stooges, as intelligently raucous as the Marx Brothers, and as lyrical as the yearning Irish tenor of John McCormack. “It’s about how very small in the end we are — that seen in regard to the whole huge universe, we and our struggles are so endearingly pathetic it’s laughable.” —from Glen Berger’s Journal

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Play Description

M and G's new apartment is nothing special — it really could be any generic New York City apartment — but they're hoping it's a place of healing, a new beginning after a traumatic encounter with a former friend. Unfortunately, the previous tenant of this apartment isn't a man who likes to let go … and he wasn't ready to move out. First, it's little things: their mail disappears, it feels like someone's watching them, he stops by occasionally just to say hi and see what they've done with the place. But soon, when G is called out of town for business, M is left alone, and before they know it, they wake up to find themselves immobilized and watching as the previous tenant begins to make the apartment his own again.

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Play Description

NO GOOD DEED revolves around the interconnecting stories of three troubled heroes, including a Richard Jewell–like security guard; a firefighter who has rescued a toddler from a well; and lonely teen Josh Jaxon, a budding graphic novelist whose “Hellbound Hero” comes to life as his alter ego.

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Play Description

Four businesspeople — Landry, Owens, Sanders, and Weaver — arrive in the morning at their skyscraper office and soon learn that their company is on the brink of collapse. At first upset and panicked at the news, they decide that this can instead be a chance to finally prove themselves — they'll come up with a proposal, a new business plan that will impress the company chairman and save both the business and their careers. What follows is an antic all-day, all-night effort, as the four race to complete the proposal by the next morning. At first they all work together. But after that effort collapses amid acrimony and finger-pointing, they break into two competing teams, each trying to outdo the other and win the chairman's final approval as they work feverishly all through the night. ENTERPRISE is fast-paced, edgy, semi-surreal comedy about business, ambition, skyscrapers, and office bathrooms.

Production Info