High
Play Description
When Sister Jamison Connelly agrees to sponsor a 19-year-old drug user in an effort to help him combat his addiction, her own faith is ultimately tested. Struggling between the knowledge she possesses as a rehabilitation counselor and a woman of religious conviction, she faces the challenge of helping others find courage to change.
Production Info
Cast: 3 total (1 female, 2 male)Full Length Drama (about 100 minutes)
Minimal Set Requirements
Contemporary Costumes
- Reviews
- About the Author(s)
- About the Book
- Special Notes
Press Quotes
“Matthew Lombardo’s smartly tangled drama is harrowing, highly amusing and a pleasure!” —The New York Times
“Theatrically exciting! … Entertaining with lively dialogue, powerful exchanges and authentic performances! … Nuns have been portrayed as righteous and wrathful but few so fiercely as Lombardo’s lioness of a sister!” –Daily Variety
“An electrifying experience! … HIGH is profoundly shattering and emotionally devastating! Lombardo’s writing gets better, stronger and more human each and every time! … HIGH deserves a long and vital life!” —Rex Reed, New York Observer
“Matthew Lombardo’s play offers an engrossing evening of theater! His writing saves the nonbeliever from discomfort by making his case in a framework of sincerity and passion, treading in the footsteps of Shaw’s SAINT JOAN. And, as long as we venture into comparative literature, there is a case to be made for saying HIGH is EQUUS on crack cocaine.” —San Francisco Examiner
“HIGH suggests no easy or comforting answers. Its characters may suffer, but the searing play suffers from nothing!” —Philadelphia Inquirer
Author(s)
Matthew LombardoMATTHEW LOMBARDO (Playwright) Broadway: HIGH with Kathleen Turner at the Booth Theatre and LOOPED starring Valerie Harper in a Tony-nominated performance at The Lyceum Theatre. Off-Broadway: WHO'S HOLIDAY! (w/ Lesli Margherita) at the Westside Theatre; TEA AT FIVE (w/ Kate Mulgrew) at the Promenade Theatre; MOTHER AND CHILD (w/ Ann Wedgeworth) at Second Stage; END OF THE WORLD PARTY at the 47th Street Theatre (director) and GUILTY INNOCENCE at The Actors' Playhouse. His work has been produced at such prestigious theaters as Hartford Stage, Cleveland Playhouse, American Repertory Theatre, Seattle Rep, Arena Stage, Pasadena Playhouse, Cincinnati Playhouse, Repertory Theatre of St. Louis and others. Television: ANOTHER WORLD (WGA Award Nomination for Outstanding Achievement in Writing). As a producer, he has presented concerts throughout the country for Broadway legends such as Carol Channing, Patti LuPone, Tommy Tune, Bernadette Peters, Barbara Cook, Billy Porter, Betty Buckley, Andrea McArdle, and Faith Prince.
Book Information
| Publisher | BPPI |
|---|---|
| Publication Date | 5/17/2018 |
| Pages | 68 |
| ISBN | 9780881457605 |
Special Notes
If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
HIGH was originally produced on Broadway
at The Booth Theatre on 19 April 2011
In addition, the following must appear within all programs distributed in connection with performances of the Play:
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypub.com
Related Plays
$15.00–$15.95
Play Description
A small Lutheran choir in its death throes provides the backdrop for this Chekhovian warning of the impending doom of mainline Protestantism in America. Laughter through tears with nice lemon bars.
Production Info
Cast: 9 total (4 female, 5 male)Full Length Comedy (about 100 minutes)
Minimal Set Requirements
Contemporary Costumes
$0.00–$15.95
Play Description
The End Times are upon us! It’s about time. The congregants of the Third Baptist Church of Uncertain, Texas are only certain about two things: the rapture is definitely happening sometime in the next two hours (the Bible math checks out), and two hours is not enough time to squeeze every single drop of life from this wicked, wonderful world. But some of them will try. RAPTURED is a fresh farce — part Boeing, Boeing and oddly enough, part The Last Picture Show — full of love triangles, mistaken identities, a puckish youth pastor, a preacher on a dubious mission, lots of doors, and, of course, deeply irrevocable existential longing. When the clock is ticking, sometimes who you are and what you really want is the greatest revelation of all.
Production Info
Cast: 9 total (4 female, 5 male)Full Length Comedy (about 100 minutes)
Single Set
Contemporary Costumes
$0.00–$15.95
Play Description
In 1692, as the Salem Witch Trials rage in nearby Salem, the residents of Peabody, Massachusetts are going through their own crucible, and they are just, like, really sick of crucibles. The surprising election of the boorish lout Dunning Kruger to be the local reverend has thrown the town into turmoil and pitted the townsfolk against each other like never before in the history of the New World, and that’s saying something because the history of the New World is really messed up. Ezekiel Farmer and his wife Verity must reconcile their differences (she voted for Kruger, he for the more experienced female challenger, Goody Constant Bending) and somehow find a way to resist the ugly tide that threatens them all. TOO MANY CRUCIBLES is an extremely unsanctioned companion piece to Miller’s classic THE CRUCIBLE that proves some witch hunts turn up witches.
Production Info
Cast: 8 total (4 female, 4 male, doubling, flexible casting, up to 37 actors)Full Length Comedy (about 100 minutes)
Minimal Set Requirements
Period Costumes
$15.95
Play Description
BBC correspondent David Mazower (Sholem Asch’s great-grandson) described THE GOD OF VENGEANCE as “admired, translated, parodied, panned, banned, prosecuted, withdrawn, forgotten, revived, celebrated.” An international sensation after its 1907 world premiere in Berlin at Max Reinhard’s Deutsches Theater, Asch’s play quickly became the first Yiddish drama performed in translation across Europe and America. Notoriety was a key part of its success. Nearly every production sparked some level of controversy due to the script’s conflicting themes of hypocrisy and religious faith, rebellion and tradition, its brothel setting, graphic domestic violence, “gutter poetry” reminiscent of Wedekind, and an unprecedented erotic scene of lesbian seduction. This pre-Holocaust drama is today circumscribed by a very different post-Holocaust world, but THE GOD OF VENGEANCE remains one of the great urban dramas of the Yiddish Theatre repertoire.
Production Info
Cast: 12 total (7 female, 5 male, bit parts)Full Length Drama (about 110 minutes)
Single Set
Period Costumes