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  • Icarus
    Cover photo by Pat Kirk

    Icarus

    Edwin Sánchez
    Acting Edition$11.95
    ePlay$15.00 + $10.00 per additional user
    Performance Rights

    Play Description

    An empty beachhouse settled between dunes and the roar of the sea … a perfect spot for swimming — though it’s the middle of March! A woman, her brother, and an eccentric dream catcher set up camp, but a masked stranger’s arrival complicates their fantastic plan to swim out to touch the sun. This poignant comedy of loneliness and escape reevaluates notions of beauty as five outcasts discover just how much they’ll give — and give up — for love.

    Production Info

    Cast: 5 total (2 female, 3 male)
    Full Length Drama (about 90 minutes)
    Single Set
    Contemporary Costumes
    Categories: The Plays
    • Reviews
    • About the Author(s)
    • About the Book
    • Special Notes
    • Productions

    Press Quotes

    “The mercurial qualities of love, dreams, and beauty provide the gently pulsating thrust of Edwin Sánchez’s new play ICARUS … New plays are often either hard and edgy or soft and sappy. ICARUS is the rare creation that is allowed to be both. Unabashedly sweet, often lyrical and even incisive, Sánchez’s play takes a group of oddball characters — all searching, all damaged — and lets them do quietly wonderful things for one another … Like the Greek myth from which the play takes its name, ICARUS is about super-charged dreamers whose wax wings melt when they fly too close to the sun … ICARUS plays out like an inverted Beauty and the Beast fairy tale, though there’s no magic to whip up a happy ending. But there are moments of grace that fill the play’s one hundred minutes when the characters are momentarily released from their own traumas and attempt to help one another in unassuming but meaningful ways … in an enchanted setting, dreamers almost win, lovers nearly find happiness, and beauty kisses those who most deserve its fleeting glory. Reality ultimately kills the fairy tale, but nothing can stem the heartfelt charm and warmth that radiates from ICARUS.” —Chad Jones, Oakland Tribune

    “Like two battle-weary soldiers, Altagracia and Primitivo plod toward the beach. Primitivo, a boy whose contorted body languishes in a wheelchair, is nudged forward. His sister, half-dragging the chair, is marked by a maroon-colored gnarl that runs across her forehead and down the side of her face. Just then, Primitivo, as cranky as a sleep-deprived two-year-old, begins to cry. The disquieting scene that opens Edwin Sánchez’s ICARUS is enough to make anyone uneasy. But what initially seems like some postmodern cross between Beach Blanket Bingo and Freaks, Tod Browning’s 1932 cult film, methodically unfolds into a thing of profound beauty. And that’s the point of ICARUS: Beauty is not just in the eye of the beholder. It’s something that runs deeper than the roots of an oak tree, down to some inner sanctuary that provides safety even in the harshest conditions. Sánchez’s lyrical, often soaring portrait of dreamers is one of the sweetest, most affirming plays to come through the Bay Area in the last two years … ICARUS is propelled by Sánchez’s winning, playful script. His moving text is laden with the nuggets of information … that go into building a richly etched picture. A consummate story-teller, Sánchez also is careful to leave enough blank spaces on his canvas for the audience to fill in from their own imaginations …” —Mark de la Viña, San Jose Mercury News

    Author(s)

    • Edwin Sánchez

      Winner of the National Latino Playwriting Award for LA BELLA FAMILIA, recent productions include UNMERCIFUL GOOD FORTUNE and TRAFFICKING IN BROKEN HEARTS, both in Los Angeles as well as the world premiere of the romantic comedy I'LL TAKE ROMANCE at the Evolution Theatre in Ohio. Other productions include: DIOSA, produced by Hartford Stage after a successful workshop by New York Stage and Film, TRAFFICKING IN BROKEN HEARTS at the Bank Street Theater in New York, UNMERCIFUL GOOD FORTUNE at the Intar Theater in New York, for which he received the Princess Grace Playwriting Award in 1994, and BAREFOOT BOY WITH SHOES On at Primary Stages in New York. This play was selected by the Eugene O'Neill Playwrights Conference to represent the National Playwrights Conference at the Schelykovo Playwrights Seminar in Russia; ICARUS produced by Fourth Unity, Actors Theater of Louisville as part of their Humana Festival, San Jose Rep and regionally throughout the U.S.; and TRAFFICKING IN BROKEN HEARTS, Atlantic Theater in New York, and productions in Brazil and Switzerland. He was also among the playwrights involved with Brave New World, an organization commemorating the events surrounding September 11th. www.edwinsanchez-writer.com. Edwin is on the playwriting faculty at Primary Stages in New York City.

    Book Information

    Publisher BPPI
    Publication Date 5/1/1999
    Pages 72
    ISBN 9780881451559

    Special Notes

    If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

    Originally produced by San Jose Repertory Theater, CA

    In addition, the following must appear within all programs distributed in connection with performances of the Play:

    Icarus is produced
    by special arrangement with Broadway Play Publishing Inc, NYC
    www.broadwayplaypub.com

    Upcoming and Recent Productions

    Nonprofessional


    12/1/2022 – 12/3/2022
    Bristol School Of Acting C/o Boomsatsuma Education Ltd
    Bristol, BS, United Kingdom

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    Email: info@broadwayplaypub.com

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