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Four businesspeople — Landry, Owens, Sanders, and Weaver — arrive in the morning at their skyscraper office and soon learn that their company is on the brink of collapse. At first upset and panicked at the news, they decide that this can instead be a chance to finally prove themselves — they'll come up with a proposal, a new business plan that will impress the company chairman and save both the business and their careers. What follows is an antic all-day, all-night effort, as the four race to complete the proposal by the next morning. At first they all work together. But after that effort collapses amid acrimony and finger-pointing, they break into two competing teams, each trying to outdo the other and win the chairman's final approval as they work feverishly all through the night. ENTERPRISE is fast-paced, edgy, semi-surreal comedy about business, ambition, skyscrapers, and office bathrooms.

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Uncle Sam was a novelties salesman who died one night, alone and broke, in a Pittsburgh hotel. But he was also a larger-than-life figure, a mythic hero, to his nephew — who now seeks to discover his uncle's true story. His quest is a quixotic and picaresque one, involving a seductive nightclub singer who promises to marry Sam if he can locate his ne'er-do-well brother (who absconded with the proceeds from a robbery), and developing into a series of sometimes funny, sometimes hair-raising episodes as the nephew “becomes” his uncle in his youth and journeys to a remote lighthouse, a rather sinister university laboratory, an opium den, the clinic of a Mexican quack, and a very odd miniature golf course — all intriguingly distorted, as though viewed through a funhouse mirror. In the end it is really the landscape of the mind that is explored and illuminated, as the trail leads back to Old Sam and the disquieting knowledge that dreams and reality are, in the final essence, often one and the same, with the “truth” still remaining tantalizingly out of reach.

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In the first play in LIMBO TALES, HIGHWAY, a man suddenly decides to drive to his girlfriend’s house, which is 200 miles away. He becomes obsessed with the thought that each car that passes may be his girlfriend coming to visit him — and as he begins to lose touch with time and place he becomes convinced that he has moved back to another century, another civilization. In the short INTERMEZZO, a Master of Ceremonies announces, in hilarious detail, all the exotic acts that will not be on the bill that evening. In the final play, HOTEL, a down-on-his-luck encyclopedia salesman sits in a flea-bag hotel room, eating Chinese food which is delivered by a disembodied arm, while listening to the squabbling of his neighbors and contemplating the aridity of his limbo-like existence.

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A brilliantly conceived and highly theatrical experience in absurdist drama, in which the audience is taken on a wild and funny metaphysical journey into the fertile imaginations of the diverse characters whose bizarre stories are deftly interwoven into the fabric of the play. DARK RIDE is comprised of a series of vignettes involving characters who, at first, appear to bear no relation to each other. A mysterious figure gives a scholar an ancient manuscript to translate; a thief steals an enormous jewel; a woman assures us that life is all coincidence; a dream-like waitress serves her customers all manner of thoughts and suggestions but no food. The images are bizarrely funny and provocative and, in time, coalesce into a pattern of driving concerns and obsessions that come into focus when the various characters finally meet at an oculists convention in Mexico City. Phantasmagoric, the play takes us on a journey that, in the final essence, transcends the physical world to explore the inner recesses of the mind.

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M and G's new apartment is nothing special — it really could be any generic New York City apartment — but they're hoping it's a place of healing, a new beginning after a traumatic encounter with a former friend. Unfortunately, the previous tenant of this apartment isn't a man who likes to let go … and he wasn't ready to move out. First, it's little things: their mail disappears, it feels like someone's watching them, he stops by occasionally just to say hi and see what they've done with the place. But soon, when G is called out of town for business, M is left alone, and before they know it, they wake up to find themselves immobilized and watching as the previous tenant begins to make the apartment his own again.

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