Anne García-Romero’s plays include PROVENANCE (Eugene O’Neill National Playwrights Conference), PALOMA (National Latino Playwriting Award runner-up), EARTHQUAKE CHICA (National Latino Playwriting Award finalist), MARY DOMINGO (Goodman Theatre Commission), MARY PEABODY IN CUBA (National Latino Playwriting Award finalist), JUANITA’S STATUE (NYSF Public Theatre commission), DESERT LONGING (South Coast Rep commission), LAND OF BENJAMIN FRANKLIN (Actors Theater of Louisville Ten Minute Play finalist), GIRLUS EQUINUS (Ensemble Studio Theater One-Act Marathon finalist), and SANTA CONCEPCIÓN (South Coast Rep commission). Her plays have been developed and produced at the New York Shakespeare Festival/Public Theater, Arielle Tepper Productions’ Summer Play Festival (Off-Broadway), The Goodman Theatre, The Mark Taper Forum, Hartford Stage, South Coast Repertory, The Los Angeles Theatre Center, Eugene O’Neill National Playwrights Conference, INTAR, HERE, New Georges, Borderlands Theater, Nevada Repertory Company, Jungle Theater, East L.A. Repertory, National Hispanic Cultural Center, Open Fist Theater Company, Wordbridge Playwrights Laboratory, LoNyLa Writers Lab, the Orchard Project and the New Harmony Project. She’s been a Jerome Fellow at the Playwrights Center of Minneapolis as well as a MacDowell Colony fellow. She is the U.S. translator for the internationally acclaimed The Grönholm Method by Spanish playwright, Jordi Galcerán. She’s an Assistant Professor in the Department of Film, Television and Theatre at the University of Notre Dame. Ms. García-Romero holds an MFA in Playwriting from the Yale School of Drama and is an alumna of New Dramatists in NYC. She is a Resident Playwright at Chicago Dramatists.