Plays by Anton Chekhov/Richard Nelson

Anton Chekhov, adapted by Richard Nelson
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Description

This collection includes three full-length plays: THE WOOD DEMON, THE SEAGULL, and THREE SISTERS. THE WOOD DEMON: “In the play I portray a disgusting, selfish, provincial fellow who for twenty years has been reading works on art but understanding nothing about the subject — a man who brings despondency and gloom to all those near him, who is not accessible to laughter and music — and who, despite all this, is undoubtedly happy.” —Anton Chekhov THE SEAGULL: “It’s a comedy with three female and six male roles, four acts, a landscape (view of a lake), lots of talk of literature, little action and 180 lbs of love.” —Anton Chekhov THREE SISTERS: “But what I have written is a farce.” —Anton Chekhov “[Chekhov] was afraid of provincial life being exaggerated and caricatured, of his officers being turned into the usual heel-clickers with jingling spurs. He wanted us to play the parts of simple, charming, decent people in ‘untheatrical’ uniforms which looked as if they’d actually been worn.” —Konstantin Stanislavsky

Plays in This Collection

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About the Author

Author

  • Anton Chekhov

    Widely considered one of the world's greatest writers, Anton Pavlovich Chekhov was born on January 29, 1860, in Taganrog, Russia. In 1879 he entered the University of Moscow to study medicine and graduated in 1884. He kept a strict writing schedule and continued to practice medicine for the rest of his life. In addition to his numerous short stories, many considered masterpieces of the form, Chekhov wrote over a dozen plays, among them the classics of Western dramatic literature UNCLE VANYA, THE CHERRY ORCHARD, THE THREE SISTERS, and THE SEAGULL.

  • Richard Nelson

    Richard Nelson's plays include the four-play series, THE APPLE FAMILY (THAT HOPEY CHANGEY THING, SWEET AND SAD, SORRY, REGULAR SINGING (Nominated for Outstanding Play in Drama Desk Awards 2014; Public Theater, 2010 – 2013), NIKOLAI AND THE OTHERS (Lincoln Center Theater, 2013), FAREWELL TO THE THEATRE (Hampstead Theatre, 2012), HOW SHAKESPEARE WON THE WEST, (Huntington Theater, 2008), CONVERSATIONS AT TUSCULUM (Public Theater, 2008), FRANK'S HOME (Goodman Chicago, Playwrights Horizons, 2007), RODNEY'S WIFE (Playwrights Horizons, 2004), WHERE I COME FROM (National Theatre Connections), MADAME MELVILLE (which ran in the West End starring Macaulay Culkin and Irene Jacob and opened in May 2001 Off-Broadway); GOODNIGHT CHILDREN EVERYWHERE (winner of Olivier Award for Best New Play, 2000), KENNETH'S FIRST PLAY (with Colin Chambers, RSC), THE GENERAL FROM AMERICA (at the RSC and the Lucille Lortel Theatre, New York), NEW ENGLAND (RSC and Manhattan Theater Club), MISHA'S PARTY (with Alexander Gelman, RSC and Williamstown Theater Festival), TWO SHAKESPEAREAN ACTORS (Tony nomination for Best Play, RSC and Broadway), COLUMBUS AND THE DISCOVERY OF JAPAN (RSC Barbican), SOME AMERICANS ABROAD (Olivier nomination, Best Comedy; RSC, Lincoln Center and Broadway), LEFT, BETWEEN EAST AND WEST (Hampstead), PRINCIPIA SCRIPTORAE (winner of Time Out Award, RSC and Manhattan Theater Club), THE RETURN OF PINOCCHIO, AN AMERICAN COMEDY, BAL, CONJURING AN EVENT, RIP VAN WINKLE, JUNGLE COUP, THE KILLING OF YABLONSKI, THE VIENNA NOTES (Obie Award). His musicals include JAMES JOYCE'S THE DEAD (starring Christopher Walken and Blair Brown; Playwrights Horizons, Belasco Theatre, Broadway, Ahmanson Theatre, Los Angeles, Kennedy Center, Washington; for which he received a Tony Award in 2000 for Best Musical Book), CHESS (the book for the Broadway musical), PARADISE FOUND (dir: Harold Prince and Susan Strohman), MY LIFE WITH ALBERTINE (with Ricky Ian Gordon; Playwrights Horizons), UNFINISHED PIECE FOR A PLAYER PIANO (with Peter Golub). His translations and adaptations include TYNAN starring Corin Redgrave (with Colin Chambers, RSC and West End), LOLITA with Brian Cox (National), Molnar's THE GUARDSMAN (Kennedy Center), Carriere's THE CONTROVERSY (Public Theater), Fo's ACCIDENTAL DEATH OF AN ANARCHIST (Broadway), Strindberg's THE FATHER with Frank Langella (Broadway) and MISS JULIE (Yale Rep), Beaumarchais' THE MARRIAGE OF FIGARO (the Guthrie and Broadway); Molière's DON JUAN, Ibsen's WILD DUCK and ENEMY OF THE PEOPLE, Pirandello's ENRICO IV, Goldoni's IL CAMPIELLO, Erdmann's THE SUICIDE. With the esteemed translators Richard Pevear and Larissa Volokhonsky, he was co-translated Chekhov's THE CHERRY ORCHARD, Gogol's THE INSPECTOR, Turgenev's A MONTH IN THE COUNTRY and Bulgakov's DON QUIXOTE. Films: Hyde Park on Hudson, staring Bill Murray and Laura Linney (Dir: Roger Michell), Ethan Frome, starring Liam Neeson (Dir: John Madden); Sensibility and Sense, staring Elaine Stritch and Jean Simmons (Dir: David Jones). Television: The End of a Sentence with Edward Herrmann (Dir: David Jones). Radio Plays include: HYDE PARK ON HUDSON, LANGUAGES SPOKEN HERE (Giles Cooper Award), EATING WORDS (Giles Cooper Award), ADVICE TO EASTERN EUROPE, AN AMERICAN WIFE (all BBC).

About the Book

Book Information

Publisher BPPI
Publication Date 7/30/2003
Pages 166
ISBN 9780881452099