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  • The Tutor
    Cover art by Maryann Callery

    The Tutor

    Allan Havis
    Trade Edition$15.95
    ePlay$15.00 + $10.00 per additional user
    Performance Rights

    Play Description

    This stark, disquieting drama depicts the eleventh-hour effort of a hired tutor to transform the life of a very bright, self-destructive teenager before a Columbine tragedy occurs in San Diego.

    Production Info

    Cast: 4 total (1 female, 3 male)
    Full Length Drama (about 90 minutes)
    Single Set
    Contemporary Costumes
    Categories: The Plays Tags: Family: Parents and Son
    • Reviews
    • About the Author(s)
    • About the Book
    • Special Notes

    Press Quotes

    “… the disquieting drama visits a shockingly dysfunctional family and its truly troubled teen … The tables turn several times in this intense, suspenseful one-act … Especially intriguing is the fact that we never quite know at the end what really happened, or what will happen next. Is the kid really a Bad Seed? Did this amoral adolescent, under the tutor’s tutelage, actually develop a conscience and a sense of remorse by the end? Will the tutor live? Havis isn’t telling. I love this play. The writing is terrific, smart and slick, scary and inscrutable all at once … The play is superb …” —Pat Launer, Center Stage, Jazz 88.3FM (San Diego)

    Author(s)

    • Allan Havis

      Over three decades, Allan Havis has had his plays produced at theatres across the country and in Europe, including San Diego Rep, Old Globe, Seattle's ACT, Odyssey, Long Wharf, South Coast Rep, American Repertory Theatre, Hartford Stage, Virginia Stage, WPA, Berkshire Theatre Festival, Trapdoor Theatre, Coral Gable's New Theatre, Interact Theatre, Philadelphia Theatre Co. and Rowholt Theater-Verlag (National German Radio). Works commissioned by England's Chichester Festival, Sundance, San Diego Rep, Ted Danson's Anasazi Productions, South Coast Rep, Mixed Blood, CSC Rep, Malashock Dance, Carolina Chamber Chorale, National Foundation for Jewish Culture, San Diego City Opera and University of California, San Diego. Nineteen published full-length plays including his signature drama MOROCCO: Penguin/Mentor, Theatre Communications Group, Smith & Kraus, Applause Books, and Broadway Play Publishing. Harper/Collins published his young adult novel Albert the Astronomer in 1979. His sequel novel Albert Down a Wormhole was published by Goodreads Press in 2019. His book on ninety years of cinema, Cult Films: Taboo & Transgression, was published by University Press of America. In collaboration with composer Anthony Davis, his play LILITH was re-imagined as a chamber opera, premiering at UC San Diego's Conrad Prebys Music Center December 2009. His next collaboration with Mr. Davis was Lear on the 2nd Floor, which premiered as a work-in-process March 2012 at Princeton University, and a full-length piece at UC San Diego's Conrad Prebys Music Center March 2013. Both operas can be viewed online at UCSD TV. His third opera, St. Francis de Los Barrios, was presented in showcase at the Qualcomm Institute at UC San Diego in 2015. His latest opera project, The Golem of La Jolla, in collaboration with composer Michael Roth, will have a concert presentation October 2019 in La Jolla Playhouse's WoW Festival. Recipient of Guggenheim, Rockefeller, Kennedy Center/American Express, CBS, HBO, National Endowment for the Arts Awards, San Diego Theatre Critics Circle 2003 Outstanding New Play for NUEVO CALIFORNIA (co-author Bernardo Solano) and San Diego's 2008 Patté Best Play award for THE TUTOR. University of Illinois Press published in 2001 his edited volume: American Political Plays. Southern Illinois University Press published in 2010 his second edited volume American Political Plays Post 9/11. In 2019 London's Bloomsbury/Methuen published his third volume American Political Plays in the Age of Terrorism. He was Provost of Thurgood Marshall College/UC San Diego for ten years, has headed the MFA playwriting program at University of California, San Diego and continues to teach in their graduate writing program over thirty years where he serves as Chair of Theatre and Dance. He holds an MFA from Yale Drama School.

    Book Information

    Publisher BPPI
    Publication Date 12/15/2008
    Pages 66
    ISBN 9780881454079

    Special Notes

    If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

    In addition, the following must appear within all programs distributed in connection with performances of the Play:

    The Tutor is produced
    by special arrangement with Broadway Play Publishing Inc, NYC
    www.broadwayplaypub.com

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