Reed Martin co-created and performed in the original productions of THE COMPLETE HISTORY OF AMERICA (ABRIDGED), THE BIBLE: THE COMPLETE WORD OF GOD (ABRIDGED), WESTERN CIVILIZATION: THE COMPLETE MUSICAL (ABRIDGED), ALL THE GREAT BOOKS (ABRIDGED), COMPLETELY HOLLYWOOD (ABRIDGED), THE COMPLETE WORLD OF SPORTS (ABRIDGED), THE ULTIMATE CHRISTMAS SHOW (ABRIDGED), AND THE COMPLETE HISTORY OF COMEDY (ABRIDGED). He also contributed additional material to THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED). Reed is a managing partner of the Reduced Shakespeare Company and has performed in London's West End, at Lincoln Center Theater, Kennedy Center, Seattle Repertory Theatre, American Repertory Theatre, Pittsburgh Public Theater, California Shakespeare Festival, McCarter Theatre, Long Wharf Theatre, Old Globe Theatre, La Jolla Playhouse, Alabama Shakespeare Festival, The White House and Madison Square Garden, as well as in 11 foreign countries. Reed has performed at A.C.T. in San Francisco in Travesties by Tom Stoppard and The Government Inspector, as well as at the Magic Theatre in Moving Right Along, written and directed by Elaine May and featuring Marlo Thomas. He toured for two years as a clown/assistant ringmaster with Ringling Brothers/Barnum & Bailey Circus. His voice was heard in the animated feature film Balto,/i> and just about every other part of him was seen in the British film Carry On Columbus. Reed has written for the BBC, NPR, Britain's Channel Four, RTE Ireland, Public Radio International, The Washington Post and Vogue magazine. With Austin Tichenor he co-authored the book The Greatest Story Ever Sold, published by John Knox/Westminster Press, as well as Reduced Shakespeare: The Complete Guide For The Attention-Impaired (abridged), published by Hyperion. His work has been nominated for an Olivier Award in London, a Helen Hayes Award in Washington, D.C., and San Francisco Bay Area Theatre Critic's Circle Award. He has a BA in Political Science/Theatre from UC Berkeley, an MFA in Acting from UC San Diego and is a graduate of Ringling Brothers/Barnum & Bailey Clown College. A member of both the Dramatists Guild and The Stage Directors and Choreographers Society, Reed is also a former professional minor league baseball umpire. He lives in Northern California with his wife and two sons, all three of whom are much funnier than he is.

Austin Tichenor is a playwright, lyricist, songwriter, and actor. As co-managing partner of the Reduced Shakespeare Company, he has performed with them around the world, off-Broadway, in London's West End, in the PBS version of THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED), and at such theaters as the Kennedy Center, Lincoln Center, American Repertory Theatre, the Folger Shakespeare Theatre, Cincinnati Playhouse in the Park, Pittsburgh Public Theatre, Merrimack Repertory Theatre, and Repertory Theatre of St. Louis. He's the co-author of nine COMPLETE (ABRIDGED) stage comedies, which have been published in two countries and translated into over a dozen languages; the half-hour film The Ring Reduced for UK's Channel 4; the half-hour pilot The Week Reduced for TBS; the six episode Reduced Shakespeare Radio Show for the BBC World Service; the comic memoir How The Bible Changed Our Lives (Mostly For The Better) for all e-book platforms; and the irreverent reference book Reduced Shakespeare: The Complete Guide for the Attention-Impaired (abridged) for Hyperion Press. He also produces and hosts the weekly Reduced Shakespeare Company Podcast, which was named one of Broadway World's Top Ten Podcasts for Theatre Fans. On TV, Austin played recurring roles on 24, Alias, Felicity, Ally McBeal, and The Practice, and guest starred as Guys In Ties on The West Wing, The X-Files, ER, The Mentalist, Nip/Tuck, Gilmore Girls, and on many other hours of episodic television. He's also performed his own material many times on NPR and the BBC, performed with both the Oakland Symphony and in Disney Hall with the Los Angeles Philharmonic, and acted in the world premiere of IN THE GARDEN: A DARWINIAN LOVE STORY with the Tony Award-winning Lookingglass Theatre Company in Chicago. Austin is an alumnus of the BMI Musical Theatre workshop and has written over a dozen plays and musicals for young audiences. His full-length one-act DANCING ON THE CEILING (an adaptation of Kafka's “The Metamorphosis”) and adaptation of FRANKENSTEIN are both published by Broadway Play Publishing, and he'll direct the world premiere of his adaptation of New York Times bestselling author Jasper Fforde's THE EYRE AFFAIR in 2016. Austin is a fifth-generation Californian who was born on the 54th anniversary of the San Francisco Earthquake and the 185th anniversary of Paul Revere's Ride, which makes him older than he looks but short for his weight. Austin is a member of the Dramatists Guild, has a BA in History and Theatre from UC Berkeley and an MFA from Boston University, and currently lives in Chicago with his improviser and writer wife Dee Ryan, their two kids, and too many cats.