- Reviews
- About the Author(s)
- About the Book
- Special Notes
Press Quotes
“My heart started breaking at 9:45 last night, a little more than two hours into Great Lakes Theater Festival’s THE WILD DUCK, breaking for a once-happy family sucked down into the depths. It may take a while to get there as Ibsen marches deliberately and unswervingly toward the precipice, but your heart too is in for an exhausting but enlightening workout … Written in 1884, this Norwegian masterpiece could hardly be more at home in the United States in 2000. It is a play about destructively false idealism that leads to self-righteous campaigns against human foibles. It could easily be about Kenneth Starr. Translator and adaptor Anthony Clarvoe [has] chosen to update the language and to set the play in the Cleveland of today … Except for the Americanization of names and a few almost invisible trims, Clarvoe’s is a remarkably faithful update.” —Tony Brown, Cleveland Plain Dealer
Author(s)
Henrik IbsenHenrik Ibsen (1828 – 1906) was a Norwegian dramatist and is considered the father of the modem drama. He first won worldwide attention with A DOLL'S HOUSE (1879). His next play, GHOSTS, dealt openly with the topic of venereal disease and aroused great opposition. He replied to his critics by writing AN ENEMY OF THE PEOPLE (1881), where he showed that an individual may be right while society is wrong. His other plays include PEER GYNT (1867), THE WILD DUCK (1884), ROSMERSHOLM (1886), THE LADY FROM THE SEA (1888), HEDDA GABLER (1890), THE MASTER BUILDER (1892), LITTLE EYOLF (1894), JOHN GABRIEL BORKMAN (1896), and WHEN WE DEAD AWAKEN (1899).
Anthony ClarvoeAnthony Clarvoe's plays PICK UP AX, SHOW AND TELL, THE LIVING, LET'S PLAY TWO, THE BROTHERS KARAMAZOV, AMBITION FACING WEST, WALKING OFF THE ROOF, and THE ART OF SACRIFICE and his translations of Henrik Ibsen's GHOSTS and THE WILD DUCK are published by Broadway Play Publishing, Inc. He has received American Theatre Critics, Will Glickman, Bay Area Theatre Critics, LA Drama Critics, Garland, Elliot Norton, and Edgerton New American Play awards; fellowships from the Guggenheim, Irvine, Jerome, and McKnight Foundations, National Endowment for the Arts, TCG/Pew Charitable Trusts, and Kennedy Center; commissions from South Coast Rep, Mark Taper Forum, and Playwrights Horizons; the Berrilla Kerr Award for his contributions to American theater; and many others. He teaches at UC Berkeley, St. Mary's College of Moraga, and Stagebridge. A native San Franciscan and long-time resident of New York City and the Midwest, he lives with his family in Berkeley, CA.
Special Notes
If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
Originally produced by Great Lakes Theater Festival, Cleveland
In addition, the following must appear within all programs distributed in connection with performances of the Play:
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypub.com
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