The Wild Duck
Play Description
In celebrated playwright Richard Nelson’s bold adaptation of Ibsen’s classic, profound tragedy and surprising comedy combine to tell the story of the Ekdal family. Their peaceful lives are turned upside down when an idealistic family friend arrives. When the secrets unravel, powerful questions are revealed.
Production Info
Cast: 11 total (3 female, 8 male)Full Length Drama (about 100 minutes)
Multiple Sets
Period Costumes
- Reviews
- About the Author(s)
- About the Book
- Special Notes
Press Quotes
From Richard Nelson’s Introduction:
“THE WILD DUCK is a play about family life twisted, bent, and knotted into perverse shapes. Everyone seems to have a lifetime’s history with everyone else. Take just one character, Gregers Werle. There’s his father with whom he has been estranged for many years, certainly since the death of his mother. There is Gina who as a maid helped look after the Werle house while Gregers’ mother was dying; his mother accused Gina of have having an affair with Gregers’ father. This we learn was untrue at the time, but prescient. Gina is now married to Hialmar Ekdal, Gregers’ old friend from college. They have a daughter, Hedvig, who is most likely not Hialmar’s but Gregers’ father’s and so is the half sister of Gregers. Hilmar’s father was in business with Gregers’ father. There was a business scandal and Hialmar’s father went to prison, Gregers’ father didn’t. Gregers’ father continues to dole out bits of money to both his old partner and his old mistress. There’s Relling a drunken doctor who had fought with Gregers years before while they were both at the distant saw mill. And there’s Mrs Sorby, who like Gina, used to be Gregers’ father’s housekeeper, but now is his mistress; she once was in love with Relling and may still be. And it goes on and on. This play is structured around learning these relationships and the various secrets attached to them, and thematically propelled by the question: is it better to know or not to know? ‘Truth’ is stood on its head, as we find ourselves rooting for lies and delusions. This is a very disorienting play. And, I believe, a very great one.”
Author(s)
Henrik IbsenHenrik Ibsen (1828 – 1906) was a Norwegian dramatist and is considered the father of the modem drama. He first won worldwide attention with A DOLL'S HOUSE (1879). His next play, GHOSTS, dealt openly with the topic of venereal disease and aroused great opposition. He replied to his critics by writing AN ENEMY OF THE PEOPLE (1881), where he showed that an individual may be right while society is wrong. His other plays include PEER GYNT (1867), THE WILD DUCK (1884), ROSMERSHOLM (1886), THE LADY FROM THE SEA (1888), HEDDA GABLER (1890), THE MASTER BUILDER (1892), LITTLE EYOLF (1894), JOHN GABRIEL BORKMAN (1896), and WHEN WE DEAD AWAKEN (1899).
Richard NelsonRichard Nelson's plays include the four-play series, THE APPLE FAMILY (THAT HOPEY CHANGEY THING, SWEET AND SAD, SORRY, REGULAR SINGING (Nominated for Outstanding Play in Drama Desk Awards 2014; Public Theater, 2010 – 2013), NIKOLAI AND THE OTHERS (Lincoln Center Theater, 2013), FAREWELL TO THE THEATRE (Hampstead Theatre, 2012), HOW SHAKESPEARE WON THE WEST, (Huntington Theater, 2008), CONVERSATIONS AT TUSCULUM (Public Theater, 2008), FRANK'S HOME (Goodman Chicago, Playwrights Horizons, 2007), RODNEY'S WIFE (Playwrights Horizons, 2004), WHERE I COME FROM (National Theatre Connections), MADAME MELVILLE (which ran in the West End starring Macaulay Culkin and Irene Jacob and opened in May 2001 Off-Broadway); GOODNIGHT CHILDREN EVERYWHERE (winner of Olivier Award for Best New Play, 2000), KENNETH'S FIRST PLAY (with Colin Chambers, RSC), THE GENERAL FROM AMERICA (at the RSC and the Lucille Lortel Theatre, New York), NEW ENGLAND (RSC and Manhattan Theater Club), MISHA'S PARTY (with Alexander Gelman, RSC and Williamstown Theater Festival), TWO SHAKESPEAREAN ACTORS (Tony nomination for Best Play, RSC and Broadway), COLUMBUS AND THE DISCOVERY OF JAPAN (RSC Barbican), SOME AMERICANS ABROAD (Olivier nomination, Best Comedy; RSC, Lincoln Center and Broadway), LEFT, BETWEEN EAST AND WEST (Hampstead), PRINCIPIA SCRIPTORAE (winner of Time Out Award, RSC and Manhattan Theater Club), THE RETURN OF PINOCCHIO, AN AMERICAN COMEDY, BAL, CONJURING AN EVENT, RIP VAN WINKLE, JUNGLE COUP, THE KILLING OF YABLONSKI, THE VIENNA NOTES (Obie Award). His musicals include JAMES JOYCE'S THE DEAD (starring Christopher Walken and Blair Brown; Playwrights Horizons, Belasco Theatre, Broadway, Ahmanson Theatre, Los Angeles, Kennedy Center, Washington; for which he received a Tony Award in 2000 for Best Musical Book), CHESS (the book for the Broadway musical), PARADISE FOUND (dir: Harold Prince and Susan Strohman), MY LIFE WITH ALBERTINE (with Ricky Ian Gordon; Playwrights Horizons), UNFINISHED PIECE FOR A PLAYER PIANO (with Peter Golub). His translations and adaptations include TYNAN starring Corin Redgrave (with Colin Chambers, RSC and West End), LOLITA with Brian Cox (National), Molnar's THE GUARDSMAN (Kennedy Center), Carriere's THE CONTROVERSY (Public Theater), Fo's ACCIDENTAL DEATH OF AN ANARCHIST (Broadway), Strindberg's THE FATHER with Frank Langella (Broadway) and MISS JULIE (Yale Rep), Beaumarchais' THE MARRIAGE OF FIGARO (the Guthrie and Broadway); Molière's DON JUAN, Ibsen's WILD DUCK and ENEMY OF THE PEOPLE, Pirandello's ENRICO IV, Goldoni's IL CAMPIELLO, Erdmann's THE SUICIDE. With the esteemed translators Richard Pevear and Larissa Volokhonsky, he was co-translated Chekhov's THE CHERRY ORCHARD, Gogol's THE INSPECTOR, Turgenev's A MONTH IN THE COUNTRY and Bulgakov's DON QUIXOTE. Films: Hyde Park on Hudson, staring Bill Murray and Laura Linney (Dir: Roger Michell), Ethan Frome, starring Liam Neeson (Dir: John Madden); Sensibility and Sense, staring Elaine Stritch and Jean Simmons (Dir: David Jones). Television: The End of a Sentence with Edward Herrmann (Dir: David Jones). Radio Plays include: HYDE PARK ON HUDSON, LANGUAGES SPOKEN HERE (Giles Cooper Award), EATING WORDS (Giles Cooper Award), ADVICE TO EASTERN EUROPE, AN AMERICAN WIFE (all BBC).
Special Notes
If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
This translation of THE WILD DUCK was commissioned by Court Theatre, Chicago, Illinois,
Charles Newell, Artistic Director, Dawn Helsing, Executive Director,
and received its first public performance on January 15, 2009
In addition, the following must appear within all programs distributed in connection with performances of the Play:
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypub.com
Related Plays
$11.95–$15.00 Play Description
Strindberg’s chilling anatomy of a marriage — in which the two partners duel with each other until one is utterly defeated. Edgar and Alice, embittered husband and wife, live on an army base on a Swedish island: Alice calls it “Little Hell,” and it’s about to get worse. Written in 1900, THE DANCE OF DEATH is full of destruction and bitterness, laced with grim humor.
Production Info
Cast: 6 total (3 female, 3 male)Full Length Drama (about 140 minutes)
Minimal Set Requirements
Period Costumes
Play Description
Inspired by Feydeau’s wife’s obsession with giving the children laxatives, especially his eldest son, Jacques, every character is despicable for their moral cowardice and egoism, providing a hopeless (but hilarious) environment for child-rearing.
Production Info
Cast: 7 total (3 female, 4 male, 1 child)Short Comedy (about 50 minutes)
Single Set
Period Costumes
$15.00–$15.95 Play Description
Pontagnac, an inveterate womanizer, follows Lucienne to her house and makes advances. When her husband appears, who is none other than Vatelin, one of Pontagnac’s friends, the kerfuffle is soon settled between them as Vatelin, knowing Pontagnac, forgives him. But an unforeseen event sows discord: Liesl, who had been Vatelin’s mistress in Vienna, arrives at his house. Pontagnac takes this opportunity to tell Lucienne that her husband is cheating on her and gives her proof that Vatelin has a date in a hotel room with Liesl. Meanwhile, earnest Redillon, Lucienne’s friend, also declares his love for her. What is Lucienne to do? From there Feydeau’s intricate plot catches you up in a whirlwind of amorous and vengeful hilarity that ends with — you may conclude — everyone getting just what they deserve.
Production Info
Cast: 17 total (6 female, 11 male, doubling possible, female and male bit parts)Full Length Comedy (about 180 minutes)
Multiple Sets
Period Costumes
$15.00–$15.95 Play Description
Ibsen's characters from HEDDA GABLER, who know the play insanely well after centuries of performances, try desperately to keep the play afloat. At the same time Hedda, just as desperately, tries to sabotage the plot in order to avoid her demise. The misadventures that ensue continue to raise the stakes of hilarity to a fevered pitch. And if Hedda succeeds in her quest to live, will this classic theatrical work ever be performed again?
Production Info
Cast: 7 total (3 female, 4 male)Full Length Comedy (about 140 minutes)
Single Set
Period Costumes
$11.95–$15.00 Play Description
Ibsen's groundbreaking tale of a woman awakening to a need for a life of her own. It is a story of domestic revolution, female empowerment, and the journey towards self-liberation and personal fulfillment. A world classic in a brilliant translation by Kenneth McLeish.
Production Info
Cast: 11 total (5 female, 6 male)Full Length Drama (about 160 minutes)
Multiple Sets
Period Costumes
$11.95–$15.00 Play Description
Richard Nelson’s critically lauded adaptation of Strindberg’s classic, in which a power struggle between husband and wife leads to devastating consequences.
Production Info
Cast: 8 total (3 female, 5 male)Full Length Drama (about 95 minutes)
Multiple Sets
Period Costumes
$11.95–$50.00 Play Description
A musical presentation of magical and possible events in the lives of two women born in the 19th century.
Production Info
Cast: 8 total (4 female, 4 male, up to 20+ actors)Full Length Comedy (about 100 minutes)
Minimal Set Requirements
Period Costumes
$19.95–$20.00 Collection Description
This collection includes five long one-act plays: THE AWFUL TOOTH, BLASTED EVENT, DEAD WRONG, POTTY FAVORS, and SHE CAN’T BARE IT! Master Belle Époque farceur Georges Feydeau loosely based these brilliantly funny long one-acts on the failure of his own marriage. The plays, greatly admired in his time, were described by a prominent critic as “insane merriment, inextinguishable laughter.” With DEAD WRONG, the first play in the collection, Feydeau launched a new genre: the marital farce, the hell of couples. And “like the very great comic writers,” another critic noted, Feydeau “knows how to make the public laugh at his personal bitterness.” It was Feydeau himself who suggested that these five one-acts be collected under the title FROM MARRIAGE TO DIVORCE. This collection, which for the first time brings these plays together in English, honors that suggestion. Distinguished translator Laurence Senelick has taken care to preserve all of Feydeau’s stage directions as sure guides to staging the plays for maximum effect. DEAD WRONG: A husband and wife stay together by force of habit, their relationship based on nothing solid. The wife’s aggression and bitterness and the husband’s selfishness and irresponsibility are revealed, and their ferocious animosity unleashes such powerful comedy that it obscures the underlying darkness. POTTY FAVORS: Inspired by Feydeau’s wife’s obsession with giving the children laxatives, especially his eldest son, Jacques, every character is despicable for their moral cowardice and egoism, providing a hopeless (but hilarious) environment for child-rearing. SHE CAN’T BARE IT!: What to do about a wife going around the apartment in her nightie until lunchtime? BLASTED EVENT: Trapped in a misalliance, a husband is set upon by his wife, his in-laws, and the midwife. THE AWFUL TOOTH was the last new play of Feydeau to be produced in his lifetime, and its dentist’s chair offers a dose of sadistic hilarity. As translator Laurence Senelick notes, “Feydeau may be to dentists what Molière was to doctors.”
Plays in This Collection
Full Length Drama (about 100 minutes)
Multiple Sets
Period Costumes
$0.00–$15.00 Play Description
In THE UNDERPANTS, she is waiting in the crowd — Berlin, circa 1910 — craning her neck forward to see the Kaiser pass by. Her panties fall down. It is possible that the Kaiser might see them at her feet. What crisis could be bigger than that? Carl Sternheim poses this question at the outset of THE STERNHEIM TRILOGY. By the end, the lady is pregnant, pregnant, one might say, with the future of the booboisie in the person of THE SNOB, Christian Maske, who rises, in the second part, from the lower booboisie to the higher. In the third part, 1913, Christian rises higher all the way to the top of bourgeois society in twentieth-century mode. The whole crisis of 1914–1918 looms. 1933–1945 is not far away.
Production Info
Cast: 6 total (2 female, 4 male)Full Length Comedy (about 100 minutes)
Minimal Set Requirements
Period Costumes
$0.00–$15.00 Play Description
Based on the classic novella, this original adaptation takes you to the dismal streets of London in the 1860s, where societal pressures silence a gentle doctor's questions about the nature of morality. As the pressure intensifies, Dr Jekyll takes matters into his own hands. However, things take an eerie turn when his experiment takes on a life of its own. Will his efforts save the world, or will they destroy all that he holds dear? After all, the road to hell is paved with good intentions.
Production Info
Cast: 2 total (1 female, 1 male)Full Length Comedy (about 80 minutes)
Minimal Set Requirements
Period Costumes
$11.95–$15.00 
Play Description
Illinois, 1861: Without proof of insanity, Elizabeth Packard is committed by her husband to an asylum. Based on historical events, Emily Mann’s play tells of one woman’s struggle to right a system gone wrong.
Production Info
Cast: 9 total (4 female, 5 male)Full Length Drama (about 120 minutes)
Single Set
Period Costumes