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In WOLF IN THE RIVER, Adam Rapp explores love and neglect, the challenges of poverty, the dangerous cost of shiftlessness, the simple notion of leaving a place behind, and the value of a girl.

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Uncle Sam was a novelties salesman who died one night, alone and broke, in a Pittsburgh hotel. But he was also a larger-than-life figure, a mythic hero, to his nephew — who now seeks to discover his uncle's true story. His quest is a quixotic and picaresque one, involving a seductive nightclub singer who promises to marry Sam if he can locate his ne'er-do-well brother (who absconded with the proceeds from a robbery), and developing into a series of sometimes funny, sometimes hair-raising episodes as the nephew “becomes” his uncle in his youth and journeys to a remote lighthouse, a rather sinister university laboratory, an opium den, the clinic of a Mexican quack, and a very odd miniature golf course — all intriguingly distorted, as though viewed through a funhouse mirror. In the end it is really the landscape of the mind that is explored and illuminated, as the trail leads back to Old Sam and the disquieting knowledge that dreams and reality are, in the final essence, often one and the same, with the “truth” still remaining tantalizingly out of reach.

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HICKORYDICKORY explores what would happen if we all had an internal clock telling us the time of our death. Someone has tinkered with Cari Lee’s mortal clock, so she’s stuck at 17 for eternity. Now she’s the same age as her daughter, Dale. But Dale’s worried about her own mortal clock — the one that tells her the day and time she’ll die. Dad’s an expert clock-smith, but some timepieces are not meant to be tampered with.

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