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FIVE OF US deals with the parallel lives of New York tenement dwellers, who live next door to each other but whose paths do not cross until one fateful moment, which spells disaster for them all. One apartment is occupied by Mark, a young writer who churns out pornography while planning the “big novel” he will someday write, and his live-in girlfriend, Lee, an anthropology grad who works as a waitress. Their next-door neighbor is Herman, a mentally deficient messenger who speaks in a language all his own and amuses himself by calling 800 numbers to make hotel reservations he has no intention of keeping. When Lee is offered a chance to join an anthropological expedition to Sri Lanka, Mark is faced with a crisis — the loss of both her companionship and her income. With the connivance of his ex-con buddy, Eddie, a street-smart would-be mercenary, Mark decides to prop up his finances by robbing Herman's apartment, in the misguided belief that the poor eccentric has been hoarding money. But, instead, what they find is the bizarre detritus of a stunted life — a life which is abruptly ended when Herman, coming upon them, is startled into a fatal epileptic fit. Fearful and guilt-ridden, Mark and Eddie try to cover their tracks — but as the play ends it is also clear that no matter how far or fast they flee they will never escape the spectre of the lonely misfit whose pathetic world they have so thoughtlessly and fatally shattered.

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Subtitled “A History of Science (A Chronicle of Folly, Wisdom, and Madness),” PORT TWILIGHT has been described as “an end-times extraterrestrial vaudeville.”

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HICKORYDICKORY explores what would happen if we all had an internal clock telling us the time of our death. Someone has tinkered with Cari Lee’s mortal clock, so she’s stuck at 17 for eternity. Now she’s the same age as her daughter, Dale. But Dale’s worried about her own mortal clock — the one that tells her the day and time she’ll die. Dad’s an expert clock-smith, but some timepieces are not meant to be tampered with.

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O LOVELY GLOWWORM is about the history of the world as perceived by a stuffed goat who remembers his life from his perch at the edge of a domestic trash heap behind a derelict cottage in rural Ireland, circa 1918. It’s an exploration of consciousness through a lens as myopic as Mr. Magoo’s, as slapstick as the Three Stooges, as intelligently raucous as the Marx Brothers, and as lyrical as the yearning Irish tenor of John McCormack. “It’s about how very small in the end we are — that seen in regard to the whole huge universe, we and our struggles are so endearingly pathetic it’s laughable.” —from Glen Berger’s Journal

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Four businesspeople — Landry, Owens, Sanders, and Weaver — arrive in the morning at their skyscraper office and soon learn that their company is on the brink of collapse. At first upset and panicked at the news, they decide that this can instead be a chance to finally prove themselves — they'll come up with a proposal, a new business plan that will impress the company chairman and save both the business and their careers. What follows is an antic all-day, all-night effort, as the four race to complete the proposal by the next morning. At first they all work together. But after that effort collapses amid acrimony and finger-pointing, they break into two competing teams, each trying to outdo the other and win the chairman's final approval as they work feverishly all through the night. ENTERPRISE is fast-paced, edgy, semi-surreal comedy about business, ambition, skyscrapers, and office bathrooms.

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