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  • Vanishing Points
    Cover photo by Stephen Fazio

    Vanishing Points

    Martin Jones
    Acting Edition$11.95
    ePlay$15.00 + $10.00 per additional user
    Performance Rights

    Play Description

    In Nebraska in 1972, three members of the Peak family, father, mother, and teenage daughter, were murdered. Beth, an adult daughter, who was not home at the time the crimes were committed, must come to terms with the apparently senseless act and find a way to live with the horror.

    Production Info

    Cast: 8 total (4 female, 4 male)
    Full Length Drama (about 115 minutes)
    Minimal Set Requirements
    Contemporary Costumes
    Categories: The Plays Tags: 1970s, Murder
    • Reviews
    • About the Author(s)
    • About the Book
    • Special Notes

    Press Quotes

    “‘The nothing that is not there and the nothing that is.’ This line from Wallace Stevens’s poem ‘The Snowman’ perfectly reflects both the style and the content of VANISHING POINTS. This play is and isn’t a story about murder. It exists and does not exist as sensational melodrama. What we see is not necessarily what we get because Martin Jones is rare among contemporary playwrights: He uses the stage to make visible the invisible. Ghosts inhabit VANISHING POINTS, but not the Halloween kind. Jones conjures up those psychological specters populating Henry James’s The Turn of the Screw — emotions that refuse to die, grieves that will not stay buried … Jones avoids conventional docudrama. His script unfolds in blatantly theatrical fragments, brief scenes, in a lyrical mix of expressionism and impressionism. Instead of facts and figures from a typical case study, here dreams, nightmares and pain assume tangible shapes … this further solidifies his reputation. With depressing frequency the majority of new playwrights give us media realism. Too often their influences are television and film, genres where photographic imagery can reflect the material world but not the unconscious. It takes a play like VANISHING POINTS to reveal what only the theater can capture: ‘The nothing that is not there and the nothing that is.'” —Richard Stayton, The Los Angeles Herald Examiner

    “… a stunning dramatization of a senseless and apparently random act of fate. The question of ‘why’ is addressed but not belabored. What is carefully examined, however, are the equally random and bizarre effects such an act can have. As the mind recalls and recreates an unexpected horror, it shouts terrified warnings and takes upon itself the twofold guilt of failure and survival …” —Robert S Telford, The Long Beach News

    Author(s)

    • Martin Jones

      Martin Jones was born in Elizabeth, New Jersey, but has lived primarily in places such as Memphis, St Louis, Chicago, Michigan, Florida, Virginia, Maine, Vermont, and Italy. In 1968 he received a B A in English and Theatre Arts from Hillsdale College in Michigan. He received an M A in Theatre from Eastern Michigan University, and a Ph.D. in Playwriting and Dramatic Literature from Southern Illinois University in Carbondale, Illinois. While at Carbondale he studied creative writing with the novelist John Gardner. For ten years Mr Jones taught in academic theater. He was Playwright-in-Residence at Northern Illinois University, and a drama professor at the University of Virginia and at Bowdoin College. In 1980 he left academic theater to work in Chicago as a playwright, actor, and director. He has worked as a performer at several regional theaters including the Victory Gardens Theater, the Wisdom Bridge Theater, the Theater at Monmouth, and the Portland Stage Company. In 1980 his play, OLD SOLDIERS, premiered at the Performance Community in Chicago. OLD SOLDIERS was published in Best Short Plays of 1983. His play DAUGHTERS premiered at the Guthrie Theater (Studio) in Minneapolis, and was later produced by Chicago's Victory Gardens Theater. In 1982 two of his plays were staged Off-Off Broadway — FLAMINGOS, at the Nameless Theatre, and SNOW LEOPARDS, at the 18th Street Playhouse. In October, 1983 his ZOOLOGY (a trilogy of plays) premiered in New York at the Stage Arts Theater Company. In 1985 Stage Arts also produced SNOW LEOPARDS, which was published later that year by Samuel French. WEST MEMPHIS MOJO was selected in 1986 as a winner in the F D G/C B S New Plays Program. In the spring of that year, Mr Jones co-authored a musical revue, FROM AWAY, which premiered at the Portland Stage Company. Mr Jones received a Rockefeller Foundation Grant in Playwriting in 1986, and throughout the eighties served as Playwright-in-Residence at the Portland Stage Company and the Mad Horse Theater Company, where four of his plays premiered: VANISHING POINTS, SQUATS, DARK RIVER, and YOU CAN'T GET THERE FROM HERE. In 1991, Jones co-authored the screenplay for the H B O/Lorimar film Prison Stories: Women on the Inside, which had its premiere at the 1991 Sundance Film Festival, and was originally broadcast on H B O in January 1991. The film was nominated for a Cable Ace Award in the Best Dramatic Special category. Two of his other film scripts, Second Skin and Scarlet Moon are under option in Hollywood. Mr Jones currently lives in Springfield, Missouri, where he teaches creative writing at Southwest Missouri State University.

    Book Information

    Publisher BPPI
    Publication Date 3/1/1993
    Pages 86
    ISBN 9780881450965

    Special Notes

    If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:

    Originally produced by Mad Horse Theater Company, Portland ME

    In addition, the following must appear within all programs distributed in connection with performances of the Play:

    Vanishing Points is produced
    by special arrangement with Broadway Play Publishing Inc, NYC
    www.broadwayplaypub.com

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