Play Description

FIVE OF US deals with the parallel lives of New York tenement dwellers, who live next door to each other but whose paths do not cross until one fateful moment, which spells disaster for them all. One apartment is occupied by Mark, a young writer who churns out pornography while planning the “big novel” he will someday write, and his live-in girlfriend, Lee, an anthropology grad who works as a waitress. Their next-door neighbor is Herman, a mentally deficient messenger who speaks in a language all his own and amuses himself by calling 800 numbers to make hotel reservations he has no intention of keeping. When Lee is offered a chance to join an anthropological expedition to Sri Lanka, Mark is faced with a crisis — the loss of both her companionship and her income. With the connivance of his ex-con buddy, Eddie, a street-smart would-be mercenary, Mark decides to prop up his finances by robbing Herman's apartment, in the misguided belief that the poor eccentric has been hoarding money. But, instead, what they find is the bizarre detritus of a stunted life — a life which is abruptly ended when Herman, coming upon them, is startled into a fatal epileptic fit. Fearful and guilt-ridden, Mark and Eddie try to cover their tracks — but as the play ends it is also clear that no matter how far or fast they flee they will never escape the spectre of the lonely misfit whose pathetic world they have so thoughtlessly and fatally shattered.

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Play Description

A brilliantly conceived and highly theatrical experience in absurdist drama, in which the audience is taken on a wild and funny metaphysical journey into the fertile imaginations of the diverse characters whose bizarre stories are deftly interwoven into the fabric of the play. DARK RIDE is comprised of a series of vignettes involving characters who, at first, appear to bear no relation to each other. A mysterious figure gives a scholar an ancient manuscript to translate; a thief steals an enormous jewel; a woman assures us that life is all coincidence; a dream-like waitress serves her customers all manner of thoughts and suggestions but no food. The images are bizarrely funny and provocative and, in time, coalesce into a pattern of driving concerns and obsessions that come into focus when the various characters finally meet at an oculists convention in Mexico City. Phantasmagoric, the play takes us on a journey that, in the final essence, transcends the physical world to explore the inner recesses of the mind.

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Play Description

NO GOOD DEED revolves around the interconnecting stories of three troubled heroes, including a Richard Jewell–like security guard; a firefighter who has rescued a toddler from a well; and lonely teen Josh Jaxon, a budding graphic novelist whose “Hellbound Hero” comes to life as his alter ego.

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Play Description

Set in the fantastical, miserable village of Brood, Glen Berger's ingenious play conjures up a marvelously imaginative world peopled by a large cast of dreamers, schemers and would-be lovers. Tormented by the memory of a beautiful young girl he adored and lost, and saddled with the child she left behind as a painful reminder of their doomed romance, a village tinker turned poet tries to ease his pain by conjuring up a hilarious and extremely moving tale, a story made up for the young boy as they sit in front of the dying embers of their hearth. When the last spark is extinguished, we have gone along with them on a magical journey filled with music, shadow, and light, meeting along the way a town full of comically misguided characters and an enchanting young saleswoman of casket bell devices for the prematurely buried. A rich and delightful fairy tale for everyone who remembers what a great story sounds like.

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Play Description

A kaleidoscopic, surrealistic overview of contemporary America, set forth in the bizarre, highly theatrical style which characterizes this writer's distinctive voice. Produced by New York's highly regarded Public Theater, the play employs brilliantly imaginative avante-garde techniques to highlight both the dreams — and delusions — which infuse and motivate our modern world. The play is made up of a series of concurrent actions, some set in a tacky motel, some elsewhere, involving a group of disparate but curiously related people. There is the young night clerk, Pauline, who studies her high-school English Lit notebook, while growing increasingly fearful of the unseen and unwanted suitor who lies in wait in the motel parking lot; a raucous carnival barker touting his giant crocodile, Bonecrusher; a pair of seedy bar denizens who occasionally break into song; a dim-witted handyman, Chuckles, who performs pointless errands; a deranged scientist who believes that he is in contact with creatures from outer space; an abandoned woman who waits restlessly for a lover who will probably never return; and a mysterious drifter, Faber, who, somehow becomes the catalyst which fuses all these divergent elements into a cohesive, and often wildly funny whole. And, in so doing, makes the play both an encapsulation of the American myth and, at the same time, a telling comment on what is right — and wrong — with this myth.

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