Woyzeck
Play Description
A groundbreaking masterpiece of the modern theatre. The play tells the tale of a poor soldier, a barber in the army, who is overwhelmed by the military and forced to become a human guinea pig for quasi-medical research. Consumed by jealousy over his lover’s infidelity, Woyzeck is driven to despair, to madness, and to murder. Poignant and grotesque, insightful and all-too-human, the play broke every theatrical mold of its time, paving the way for theatre as we know it today.
Production Info
Cast: 16 total (4 female, 12 male, doubling, bit parts, children, extras)Full Length Drama (about 120 minutes)
Minimal Set Requirements
Period Costumes
- Reviews
- About the Author(s)
- About the Book
- Special Notes
Press Quotes
“Considered to be the first modern tragedy, WOYZECK still feels contemporary more than 150 years after its creation.” —The New York Times
Author(s)
Georg BüchnerGeorg Büchner was born in Germany in 1813. He studied medicine, campaigned for social change, and wrote two plays, DANTON'S DEATH and LEONE AND LENA, before starting work on WOYZECK, which was based on a real criminal case. Büchner died of typhus at aged twenty-three.
Kenneth TigarKenneth Tigar graduated magna cum laude from Harvard College in German Literature. He then studied in Göttingen for a year as a Fulbright scholar. Shortly after earning a Harvard Ph.D. in German as well, he was offered an acting job with the Viennese theatre group Die Komödianten. The experience began his transition from the world of academia to the world of the theatre. Since then he has become a familiar face in films and on television. His credits span the distance from Barney Miller and the Lethal Weapon movies to The Good Wife and The Avengers. He has acted extensively in New York and regional theatres, performing Salieri in AMADEUS, Willy Loman in DEATH OF A SALESMAN, and Joe Keller in ALL MY SONS, amongst others. He has won a Los Angeles Drama Critics' Circle Award, two Dramalogue Awards, and South Florida's Carbonell Award; and he has appeared across the country in his one-man show I MUST BE MR. BOSWELL about the biographer of Dr. Johnson. He directed the national tour of THE GIN GAME with Academy Award–winner Kim Hunter and is also an accomplished opera director. A few years ago he returned to Austria to star in OLD WICKED SONGS at the Vienna English Theatre. Most recently he was seen on Broadway in Larry David's comedy FISH IN THE DARK.
Book Information
| Publisher | BPPI |
|---|---|
| Publication Date | 5/16/2016 |
| Pages | 46 |
| ISBN | 9780881456622 |
Special Notes
If original stage producers credits appear in bold below, all licensees are required to include them in the following form on the title page in all programs distributed in connection with performances of the Play and in all advertising in which the full cast appears in size of type not less than ten percent (10%) of the size of the title of the Play:
In addition, the following must appear within all programs distributed in connection with performances of the Play:
by special arrangement with Broadway Play Publishing Inc, NYC
www.broadwayplaypub.com
Related Plays
$19.95–$20.00Collection Description
This collection includes five long one-act plays: THE AWFUL TOOTH, BLASTED EVENT, DEAD WRONG, POTTY FAVORS, and SHE CAN’T BARE IT! Master Belle Époque farceur Georges Feydeau loosely based these brilliantly funny long one-acts on the failure of his own marriage. The plays, greatly admired in his time, were described by a prominent critic as “insane merriment, inextinguishable laughter.” With DEAD WRONG, the first play in the collection, Feydeau launched a new genre: the marital farce, the hell of couples. And “like the very great comic writers,” another critic noted, Feydeau “knows how to make the public laugh at his personal bitterness.” It was Feydeau himself who suggested that these five one-acts be collected under the title FROM MARRIAGE TO DIVORCE. This collection, which for the first time brings these plays together in English, honors that suggestion. Distinguished translator Laurence Senelick has taken care to preserve all of Feydeau’s stage directions as sure guides to staging the plays for maximum effect. DEAD WRONG: A husband and wife stay together by force of habit, their relationship based on nothing solid. The wife’s aggression and bitterness and the husband’s selfishness and irresponsibility are revealed, and their ferocious animosity unleashes such powerful comedy that it obscures the underlying darkness. POTTY FAVORS: Inspired by Feydeau’s wife’s obsession with giving the children laxatives, especially his eldest son, Jacques, every character is despicable for their moral cowardice and egoism, providing a hopeless (but hilarious) environment for child-rearing. SHE CAN’T BARE IT!: What to do about a wife going around the apartment in her nightie until lunchtime? BLASTED EVENT: Trapped in a misalliance, a husband is set upon by his wife, his in-laws, and the midwife. THE AWFUL TOOTH was the last new play of Feydeau to be produced in his lifetime, and its dentist’s chair offers a dose of sadistic hilarity. As translator Laurence Senelick notes, “Feydeau may be to dentists what Molière was to doctors.”
Plays in This Collection
Full Length Drama (about 120 minutes)
Minimal Set Requirements
Period Costumes
$15.00–$15.95
Play Description
On the docks of late 18th-century Rhode Island, two runaway slaves, Adjua and Dembi, plan a desperate and daring run to freedom. When a chance encounter triggers an unexpected collision of worlds, painful truths are uncovered, and the brutality of past crimes spills into the next generation.
Production Info
Cast: 10 total (3 female, 7 male)Full Length Drama (about 100 minutes)
Multiple Sets
Period Costumes
$15.00–$15.95Play Description
Set in 1963, LAST DAYS OF THE HIGH FLIER is the story of a young man waiting for his life to begin, the mysterious ex-pilot who enters his life, and the intricate dance of friendship, betrayal, and forgiveness that takes place between the two men. Historically based, the story revolves around political conspiracies, including the CIA’s secret war in Laos. It also addresses personal struggles that occurred almost a half-century ago but still have relevance in an age in which intelligence failures and civil liberties threats dominate the news.
Production Info
Cast: 10 total (4 female, 6 male)Full Length Drama (about 130 minutes)
Multiple Sets
Contemporary Costumes
$11.95–$15.00Play Description
Anthony Clarvoe's adaptation of THE WILD DUCK remains remarkably faithful to Ibsen's masterpiece.
Production Info
Cast: 6 total (2 female, 4 male)Full Length Drama (about 120 minutes)
Single Set
Contemporary Costumes
$15.95Play Description
In celebrated playwright Richard Nelson’s bold adaptation of Ibsen’s classic, profound tragedy and surprising comedy combine to tell the story of the Ekdal family. Their peaceful lives are turned upside down when an idealistic family friend arrives. When the secrets unravel, powerful questions are revealed.
Production Info
Cast: 11 total (3 female, 8 male)Full Length Drama (about 100 minutes)
Multiple Sets
Period Costumes
$11.95–$50.00Play Description
A musical presentation of magical and possible events in the lives of two women born in the 19th century.
Production Info
Cast: 8 total (4 female, 4 male, up to 20+ actors)Full Length Comedy (about 100 minutes)
Minimal Set Requirements
Period Costumes
$11.95–$15.00Play Description
The classic 1851 farce. Fadinard is on the way to his wedding when his horse eats a straw hat hanging on a bush. The owner of the hat is a former girlfriend who insists that Fadinard buys her a new hat instantly. He sets off to find a replacement hat, followed by his fiancée and all their guests. The play develops into a delirious chase as Fadinard hunts the hat and the guests hunt Fadinard and comic misunderstandings litter every scene.
Production Info
Cast: 18 total (6 female, 12 male)Full Length Drama (about 120 minutes)
Multiple Sets
Period Costumes
$15.00–$15.95Play Description
A love story and a murder mystery, LOVE IN A THIRSTY LAND uses materials from an actual case, the first trial of a Jew for murder in the New World, 1875. The circumstances — a very religious young married man, alone in America, is accused of killing the young woman with whom it’s been rumored he has been having an affair. Flesh vs spirit, old world ways and the new drive the four character two-act play.
Production Info
Cast: 5 total (2 female, 3 male)Full Length Drama (about 100 minutes)
Minimal Set Requirements
Period Costumes
$15.00–$15.95Play Description
Adapted from Mary Shelley’s Frankenstein, MONSTER takes a disturbing yet poignant look at one man’s obsession with creating life and the destructive after effects of abandoning his creation.
Production Info
Cast: 8 total (4 female, 4 male)Full Length Drama (about 120 minutes)
Multiple Sets
Period Costumes
$15.00–$15.95Play Description
Ibsen's characters from HEDDA GABLER, who know the play insanely well after centuries of performances, try desperately to keep the play afloat. At the same time Hedda, just as desperately, tries to sabotage the plot in order to avoid her demise. The misadventures that ensue continue to raise the stakes of hilarity to a fevered pitch. And if Hedda succeeds in her quest to live, will this classic theatrical work ever be performed again?
Production Info
Cast: 7 total (3 female, 4 male)Full Length Comedy (about 140 minutes)
Single Set
Period Costumes
$15.00–$15.95Play Description
Ibsen’s 1881 masterpiece finds a fresh interpretation in Anthony Clarvoe’s taut adaptation in which a woman has to face her legacy of religious and sexual repression when her grown son comes home to tell her that he has an incurable sexually transmitted disease and asks her to help him die with dignity.
Production Info
Cast: 5 total (2 female, 3 male)Full Length Drama (about 120 minutes)
Single Set
Period Costumes